right now!     ian g. cozzens updates, news, photos, and thoughts

“in the new year” part 1 — drawy drawy draw draw

February 20, 2014 at 2:36 am

architectural drawing of roof beams under construction

I haven’t been posting things here recently, I’m not sure why, maybe because it feels somehow weightier than putting something on tumblr or facebook, or like something has to be more “finished” to post it here? Which is absurd because this has always been all about process and things in progress.

Also I was really hoping for some “break time” in the new year, but turns out I’ve just been really busy with three big projects that haven’t been commercial print projects (as in making prints that people might purchase), but instead have been three challenging personal projects in response to assignments or calls from other people (for exhibition, publication, etc). So… kind of a break? at least a break from my regular print work? but all of the projects have been on tight deadlines (and/or just really late because I was supposed to work on them in the fall and didn’t because the fall was such a busy non-stop season for me…), so there’s been a certain level of stress / “I can’t do anything till I finish this project! aaah!” feeling to the past six weeks…

… and also some guilt: “if I post something on my blog, the people who are waiting for this work will think I am procrastinating…” :C

(Update: after finishing this post, I think the main reason is that when posting stuff here I feel like I need to write things about the images and tie them all together / explain somehow… and that writing takes a while…)

Anyways! Here are some images from the thing I am working on right now (the last of the three projects, will post next about the other two). Pencil drawing, gonna try to print it as a tri-tone made of halftone layers. This should be difficult, but not impossible, to print well. I’m trying to glean lessons / avoid pitfalls from printing the duotone hands on the Recycle-A-Bike poster

It is a drawing of an imaginary building that is simultaneously falling apart / under construction, and it will have some text in it (spoken by the person on the right in the below image) but will mostly just be these people exploring the building…

drawing of two people standing under a sloping roof having a conversation

Drawy drawy drawy draw draw, keep drawing, draw all the lines:

drawing of broken lath-&-plaster walls with the plaster crumbling & the lath sticking out at odd angles

Will I someday remember to remember that drawing is easy and fun and the best part of everything? It’s so easy to get intimidated by it, before I’ve started…

When I’m drawing people from my imagination, I feel like I’m still in middle school. I remember the specific feeling of revelation, in early high school, where my drawing practice switched over from “oh I drew that face really perfect, even though it’s in the wrong place in the larger drawing I can’t erase it because I could never get it that perfect again” to “if I need to, I can draw it again, go ahead and erase & make it the way you want it!” But I still feel a little like the lines coming together “right” on a drawing of a person, especially the face, is a magical, accidental thing that I don’t quite have control over…

…and apparently I’m still channeling my favorite characters from elementary school:

illustration from the book

in-progress partial drawing of a child

(the color illustration is from Little Tim and the Brave Sea Captain, by Edward Ardizzone, great author/illustrator/graphic-narrative-maker/hand-letterer, staple of my childhood… I didn’t realize that he wrote & drew the “Tim” books over the span 1936 to 1977, that is a long run! I also didn’t realize that I haven’t read them all… gotta get on that. Also he made a bunch of paintings and illustrations of harsh scenes that he witnessed as an official “war artist” (!) in World War II… many things to seek out.)

Okay here’s some images from me testing out the tri-tone effect on the computer, to see if it will work with the scale of printing / scale of the details on the drawing… I think so? I hope so!

three-color separation of a detail of the drawing:

halftone image of a section of pencil drawing

lightest tones:

lightest color halftones

medium tones:

medium-value color halftones

darkest tones:

darkest color halftones

These are only test images, the separations will change… After making these, I looked at the Recycle-A-Bike prints compared to their transparencies, and made the note to myself that in shooting the screen, the smallest “positive” (ink) dots do not block enough light and are often lost, and then in printing, the smallest “negative” (blank paper) dots often get obscured by ink bleeding into them… so I will adjust the “curves” that determine where these colors fall in the image, to try for the most descriptive image possible…

Here is a detail of the combination:

combination halftone image in super close up

If you click through & zoom in, when you look at the full-size image, that is a screenshot & shows the image at 100% PIXEL size… that’s 27 lines per inch, at 600 dpi… you can look at the ruler at the top of the image to see what a ruler-inch is for comparison.

I hate to do this, so blog-typical (and I’ve done it before for this same thing! augh) but I need to get back to drawing, so I will say, “I will do a serious process post on how I make these halftone tri-tones / duotones sometime soon!”. And I will follow through with that! (After the thing is printed & mailed out… sheesh.) Is learning about that process something that’s interesting to anyone that reads this blog? Does anyone read this blog, in the age of facebook & tumblr? Hmmmm.


Here’s some sneak-preview multi-layer dazzle-camouflage-pattern blip-blops on clear acetates for one of the other “new year” projects, that I finished last week… I am under orders not to talk about it till the publication that it is for announces its contributors… so I have to wait to give out more specifics! But here are some cool/weird/accidental colors to tide you over:

a bunch of different color geometric patterns printed on clear plastic


Also it is Buio’s birthday sometime in February, he has been my good friend for almost 10 years! (I found him as a kitten in June 2004…) Here’s a nice picture of this companion in front of a cool Katrina drawing:

a black cat sitting on a table in front of a drawing of two women and their little dogs that says 'I stop the world and melt with you'

BUIO!!!

interim photo post

December 5, 2013 at 5:33 am

Stuff is sad (understatement) cause two good people died recently — Providence artist & musician Joe Buzzell, who I knew glancingly from around town, whose art I admired, who I always wanted to collaborate on a project with — and writer & theorist José Esteban Muñoz, who I didn’t know, but whose writing really shaped the way I see the possibility latent in the world, the potential in queerness, the crucial importance of fighting towards utopia. I want to write more about it, but I’m really busy, aah…. so here are some pictures from the past recent times cause things are also beautiful and here we are, alive.

Building 16, now that it’s over it feels like a dream that we didn’t appreciate enough while we had it….

I built some shelves

and filled them up with stuff.

I have definitely done this in my time as a bike rider:

Epic two-day ink-sort-out, dealing with all the random ink containers (30+ ?) that had accumulated after rainbow rolls that I’d never “put away” properly, for maybe the past two years…?

There’s always a container into which I scrape all the gross crap that shouldn’t go back into the good ink but also shouldn’t go down the drain, just started a new one, here it is:

testing

In my friend’s secret repository of slightly water-damaged paper:

I acquired all this paper (the biggest sheets here are 40″x26″, the stack is about 1.5 feet tall) WHOOPS

This building is on Public St on the south side, go see it before they put walls on/in it & you can no longer witness this epic structural situation:

I picked up some old wooden casement windows out of the trash today for the first time in a long time. I kind of swore off doing that a while ago (it’s just too tempting, there are so many, and you (I) will never really do anything with them!). BUT today was a “save for some reason” day, except now I know the reason: saving a thing and appreciating its beauty, or planning to do a project with it, is a tiny promise against death, for a little while, completely ineffective, but hopeful in its own illogical way…

the show is up!

November 6, 2013 at 3:21 am

… after four and a half relatively brutal days (and some long nights in there) of installation work. I cut a ton of pieces of glass to put the art behind, I hammered in almost 400 L-pins to hold the glass (and prints) to the wall, I began to understand why people *frame* art (cause once you frame it once you never have to frame it again!!!), I depended on my friends, especially Scott, for help & support… I felt more professional than ever before, and also very much like a force of chaos in the desirably-predictable space of the gallery… and not in a cool disruptive gadfly way like when AO & I were working on the Magic City Repairs project, but in the way where I was letting people down… if that makes any sense?

show_up

BUT! It all* got up on the wall, despite (or because of?) the chaos; it looks very professional (I think/ I am still surprised by), and I really hope you will come to the….

… OPENING RECEPTION!

free & open to the public, wheelchair accessible, etc, as a public institution all places should be. Catered! food! drink! (no wine though since it’s a university? or somethin’? bring your flask if you wanna, I guess). Thursday November 7th, 4:30-7:30 pm, University of Rhode Island Fine Arts Center, 105 Upper College Rd, Kingston RI.

please come & join the party & check out what I spent 13 years of my life on!

People are coordinating some rides from Providence on the facebook event page, if you’re not on facebook & need a ride, email me & I’ll connect you to somebody. You can also take the 66 bus from Kennedy Plaza, it seems to run about every hour… If you can get down there, someone will probably be able to drive you back to Prov afterwards, as a last resort you can climb in the back of Scott’s van….!

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(This is the front of the postcard that I made, featuring many of my favorite tools…)

*(The only things still missing from the gallery walls, in my mind, are some photos that are necessary to give context to the paper ephemera from the Magic City Repairs project… photos which I don’t have physical prints of yet. In thinking about this, I realized that I haven’t gotten a physical print made of a photo since I stopped taking pictures with film, which is strange… but I’m gonna go to CVS tomorrow to remedy that situation, hopefully I have a chance to sneak in with a hammer & level before Thursday afternoon!)

The funny thing was, when we started to actually get all the artwork up in place, my first thought was “it’s like looking at my website, but all at once and without having to click on links”. I’m not even gonna try to figure out what that means in terms of how much the internet has colonized my brain, I’ll just leave it there… and I really haven’t processed the surrealness of having all this work, each piece of which has defined and shaped my life in its own way, up in the same physical space. It’s surreal. I don’t know what more to write about it than that — I’m still pretty sleep-deprived… !

Here’s a moment from the hanging process, this is the “recent work” wall, which is (parts of) 2012-2013, in progress… (and yes, “Queer Buttz” did make it into the show…)

show_layout

Here are some screenshots of the spreadsheets that I made to organize the many (I haven’t counted yet) pieces of work for the show, and that will hopefully help me to put everything back in its correct place when it’s time to take it down…

October 27th at midnight:07:47 AM:

spreadsheet 1

a detail of another screenshot around the same moment:

screenshot

… and then, November 1st at 2:53:54 AM:

spreadsheet 2

and here are the same documents (or a selection of the information thereon) in action, as reference documents for cutting the glass to go over the prints:

spreadsheets

Here’s the *back* of the postcard that got printed (the yellow/orange image above up there is the front); I’m proud of all this hand-drawn text (from the poster) used as computer text, even though that in itself was a project & a half….

postcard_back_web

And here is the 4-foot-wide text on the gallery wall, I traced my scans of the knife-cut-paper letters into vectors & then it got computer-cut by some place out of a plastic fabric / sticker stuff… looks so cool, doing the vector work is physically difficult for me cause the tablet I have is old & it’s strenuous to hold the pen (because it’s wide in diameter, I think…)… but it’s cool to see my hand-drawn letters so big! Yay for vectors? maybe? It’s so not-fun to make them but… well… they’re useful…!?

wall_letters

That’s it! gotta keep working on some spreadsheet stuff tonight! Tomorrow I teach the second class of my AS220 class (on their website it’s marked as “sold out” for now, but there will be another one in January 2014!). Thursday the opening! Then hustling to finish up Craftland stuff! and to move my woodshop stuff out of Building 16… and you know, just to get everything done… whatever…

feelings of love, & fear

October 24, 2013 at 3:43 am

Last night & tonight I’ve been powering through the final incarnations of the project that I was making those three-dimensional letters for. Here’s the first one, the poster for my upcoming show (which will be printed by the URI printing services!):

material_resistance_poster_smaller

So I think it was worth many hours of adjusting objects tiny amounts while squinting through the viewfinder???!!! Big thanks to photographer Matthew Clowney for helping me out with photoshop adjusting some lighting levels, sharpening, and making the pencil text more legible! and also huge gratitude to Scott for putting up with a giant door/table, tripod, and light stand (a.k.a. a mic stand that he let me borrow) in the middle of our shared studio for 48 hours…

Tonight I’m feeling exhausted by computer work / sitting at the compy all day doing layout — last night I was feeling SUPER energized & in love with all the tools I use and even feeling psyched about the digital tools — camera and photoshop — which I always feel like I am just starting to learn how to use. So — that excitement continues, but is always ready to flop over into overwhelmed-ness by all the different things you can do with digital tools… sometimes it’s nice to have a tool that just does one thing?

Here are some moments in this process that I had never done before, and which felt pretttty confusing / scary at times:

… initial thoughts towards text arrangement…

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… got all the elements I had initially planned for in there, but it looks pretty barren & empty… hmm…

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… some of my tools were on the table, what if I start putting the tools in there too? oh, that’s better. okay…

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… at some point I realized I had to modify the chipboard holding up these little letters so that the light could shine through them…

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… which gives me a new understanding of the term “drop shadow”…

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… here’s the studio while I was shooting / adjusting / shooting / adjusting / etc. it really was pretty impossible to move around…

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… and then here’s the second setup, for the postcard design, on which photoshop / layout is almost done. this camera & object setup went a lot faster, unsurprisingly! you can see how chaotic the table had become…

material_06

It was really fun to make a mess like this for the camera; it was crucial, I guess, to be doing it under time pressure so I had to bring it to a conclusion instead of fooling around; it made me want to be doing stop motion animation or something? or building dioramas of buildings to draw them? or just making lots more three dimensional letters? We’ll see… not right now, now I have to get the actual art ready for this show!


Here are some photos of the aftermath of the talk / presentation I did at the RISD Museum on Sunday:

A table of tools, including some of the drawings / watercolors I made of the Allens Ave warehouse demolition process this summer:

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Erik Dardan & Scott talk in the background of poster process material spanning 11 years:

material_08


And this is for evidence of my “digital workflow” — scanning some of the three-dimensional letters to make them into the text for the back of the show postcard.

material_07

This is my 2005 (!) powerbook, with the bottom third of the screen non-functional, but luckily still choogling along, since my newer computer can’t run the ol’ crappy scanner (and I do love this old compy). These moments of going back & forth between digital & physical, in somewhat (very?) inefficient ways, strike me as totally hilarious and also a nice hallmark of living in ‘the future’, the real future, which feels terrifyingly and authentically science-fictiony… There’s never a clean jump into the future, we’re always dragging our old rapidograph pens and film line cutters and proportional scales and rusty 1970s pickup trucks and ninety-year-old buildings and crappy scanners that haven’t completely broken yet into the future with us… And we’re using them right next to our unimaginably high-resolution digital capture devices, at the same moment as we check in with our constantly-interconnected, instantaneously-updated, internet personality profiles…


There’s one more spot left in my Transparent Colors & Hand-Cut Stencils advanced silkscreen class at AS220! Starts October 30th, the awesome Jen Hall will be the T.A! Come hang out with us & learn some intense / cool screenprinting techniques!

cutting up nice things

October 16, 2013 at 6:58 pm

Finally I get my act together to make some three dimensional letters. This has been a written-down goal on the list for about 3 years now.

Three-dimensional letters, version one:

  • freehand-cut slightly ‘wacky’ letters out of overlapping test print
  • cut meticulous z-axis part out of screenprinted paper, with lots of lil tabs, tiny folds, & vigorous cursing
  • glue z-axis part to back of letter with white glue, toothpick, bone folder, and more cursing
  • glue traced/cut copy of letter (out of orange paper) to the back of the z-axis part to complete ‘box’ of letter
  • realize they look cooler incomplete, also this is taking WAY too darn long, so leave a bunch incomplete (for now)

3d-letters_00

3d-letters_01

3d-letters_02

3d-letters_03

three-dimensional letters, version two:

  • take an old print of which you have a lot of non-edition/”slightly messed up” copies that have been sitting around in the studio for 3+ years
  • cut letters out of it, slice slice! selecting for cool color/pattern moments
  • use a little template card to get the angle and widths consistent, curves are by eye/hand
  • cut up a lot of cardboard pieces, don’t cut yourself or hurt your wrist, ok?
  • stack stack stack!

3d-letters_04

3d-letters_041
(template guy, knife for scale)

3d-letters_05

3d-letters_06

3d-letters_07

Okay!

rapid update

October 11, 2013 at 8:09 am

Remember the beginnings of this guy? It’s finally getting done, I hope!

rapid_01

Detail of layer 2 (actually the first printed layer, but begun 5 months after what will be the second printed layer) in progress, this is rapidograph on wet media acetate:

rapid_02

Hopefully I’ll have some of these ***finished*** at the RISD Fall Alumni Art Sale, this coming Saturday October 12th, on Benefit St. in Providence between 10am & 4pm… I’m going to get some sleep this time so I can be coherent & friendly… Come say hi!

Also, thanks to the late night internet and Printeresting for this encapsulation of my life recently:


!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Okay, back to it!

tatyana yanishevsky!

October 5, 2013 at 4:32 am

My amazing friend & neighbor & studio-mate Tatyana Yanishevsky, a scientist, software developer, and textile artist, is having an opening on Sunday from 2-4pm at the Brooklyn Botanical Garden, of her incredible knitted plant form sculptures. If you’re in New York City, check it out! I’ll be there. (It’s $10 to get in to the garden but totally worth it, I have been told??!!)

“Anatomically Correct Passionflower”:

anatomically correct passionflower


Meanwhile I’ve been working on a lot of logistics and taking care of business, and busting out the project which the pieces below are just a detail of, which I mailed to Abu Dhabi on Wednesday morning…

information bearing shapes

roll over, more to come

September 30, 2013 at 2:05 am

This was the ten-thousandth (at least) picture taken on my little camera:

next_things_01

The other day, the camera created a new folder on the card & started putting pictures in it, and I was like “huh?” until I noticed that the first image in that new folder was titled IMG_0001.jpg. Looking back, the first picture I took on the camera seems to have been IMG_1576.jpg, so I’ve taken eight thousand four hundred and twenty four pictures since March of 2011… & a bunch more photos must have been taken by its previous owner (I can’t imagine that he only took 1575 pictures with it, but it’s possible?)… (and it’s a canon powershot sd1000 “digital elph”, if you’re curious.)

So, good going, lil camera! Thanks for being tough & sturdy, fitting snugly in my pocket, having decent battery life, and letting me take literally thousands of pictures of manhole covers, building details, hand-drawn letters, and cool-looking cats, etc etc, that I am happy to have recorded somewhere, even if they may never see the light of day…


I realized that in the last post I totally forgot about two other event-type things that are happening soon! Crap!

October 2nd through November 2nd, in Lowell, MA, some of my poster work is going to be part of a show at Zeitgeist Gallery, called “The Message is the Medium: Prints, Propaganda, and Persuasion”. There are two opening events, one Thursday Oct. 10, 6-9 pm, and another Saturday Oct. 26, 6-9 pm. Lowell is having a celebration of printmaking (?!) this fall and the folks at Zeitgeist decided to showcase political print work, and asked me & some other Providence artists to be part of the show. I don’t know what it’s gonna look like but I am excited to go & check it out, and I’ll try to make it to at least one of the openings! (Lowell is a really, really beautiful mill town… and when I’m there I’m gonna be looking around to catch a glimpse of a cat, so I can make the dumbest joke ever….)

Here in Providence, on Sunday, October 20th, from 2-4pm, I’ll be doing a presentation about my methods & process of working on things by hand, and leading a conversation about intractable, flawed physicality, at the RISD Museum.

material_banner_flat

My talk/presentation/conversation is called “Material Resistance”, it’s a “Demo & Discourse” event in the “One Room” series of presentations that is part of their “Locally Made” show happening now through November 3rd.

Confused? I am too, a little bit. But it should be good, I like showing & talking about my process work (as readers of this blog already know), and I’m excited to get to link the materiality / immateriality of the artwork I do with the materiality / immateriality of the body, language, and body+language stuff I think about a lot. RISD Museum admission is free on Sundays! FREE!

Here’s the statement for that talk, which I just re-wrote & expanded from what’s actually on their website at the moment… hopefully they’ll switch it up…

I’ll show some of the layered process work and test sheets from my silkscreen prints, and some recent drawings of buildings & spaces in Providence & the surrounding area, and maybe some other new projects. I’m interested in talking about how the physical substance of the world is crucial and everpresent — and always incoherent and stubbornly inaccurate. We muster up all these tools to bring our worlds into being, whether they are pencil, ink, & paper; structural and sheathing elements of the buildings we create for ourselves to live in; or the ways we dress, modify, and present our bodies to enable our existences… and even though all these attempts will fail us in one way or another… we do them anyways!?

ian_cozzens_risdmuseum_smaller

I will also probably talk about screenprinting as a one-, two-, and three-dimensional medium… and about dazzle camouflage as queer protective/illusive body strategy, via analysis of scale and pattern in architecture… just some things I’ve been thinking about recently all the time…


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Today I got to hang out with Tara Cavanaugh and do some co-directing, kind of, of some video documentation of my process & existence…? It was fun, we noodled around the Paragon Worsted Mills building and Tara took some footage of me drawing on the drawing of the loading dock alley that I’ve been working on (slowly!) since April 2012… and she got psyched on the afternoon-light-gorgeousness of that seemingly infinitely complex structure; it was cool to share that building with a friend…

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Then we walked up Manton Ave to the house & she documented my visually hectic studio and me cutting tiny rubylith things (last steps on the power station rubylith!), and then we did a hopefully cool process walkthrough of shooting a screen, washing it out, setting it up, and printing! Bam! It will be very useful (as a teaching & explaining tool) to have this all well documented; I will share it here when it’s done!

Here is (slightly sloppy) evidence of demonstration printing of the 1-color version of the power station print; it’s come a long way from back in May

next_things_02


Well there’s already been some building details on here, but we need our hand-drawn letters, stuff on the ground (no manhole covers this time, sorry), and cool cats… in the interest of letting photos see the light of day, here you go!

Hand-painted sign plus doughboy doll from Mr. Doughboy in northern R.I.:

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Some squished garbage that is totally gonna be the beginning of some art thing:

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Rowan and a kitten on a string!

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upcoming awesomeness!

September 26, 2013 at 4:54 am

Now fall is officially here, I guess, and with the season, a TON of work & projects just hit me on the head with their reality and urgency! So it’s time to get to work & stop feeling weirdly bummed out all the time……. okay?

Past couple days, I’ve been buckling down, and amid MUCH distraction, finally getting back to this image from the spring. Lots of ***sick*** rubylith cutting is going towards a “finished” version of the Manchester St. Power Station print (there will be many versions of this, but I’m just trying to get a decent one(1)-color [just one color?!! whoaaaa] version of it right now…):

I’m working from a photograph of these reflections, but not tracing: drawing onto paper and then cutting the rubylith out over the drawing, then varying wildly from the drawn lines with the goal of getting the feeling of the light from the windows reflected on the water… The improvisation & amorphousness that it’s necessary to embody in my lines, at the same time as I mark the precision and specificity of the reflected light, is a very strange & complicated mental/artistic state to hold myself in… and I keep having to take breaks & look at webcomics. :D

I will have the above print done for the RISD Fall Alumni Art Sale, Saturday October 12th, 2013, on Benefit St. in Providence, 10am-4pm. I’m also working on completing other (old & new) things for that, hopefully it all gets done in time!

Then the Craftland Show work delivery deadline is right after that… so all the ramping up will just continue…

Wednesday October 20th is the first night of the fourth (!) class I’ll be teaching at AS220 on “Knife-cut stencils, rainbow rolls, and other mysteries of the non-digital silkscreen process”.

Color test prints, experimenting with ink transparency and color order, by Corrine Hill, a participant in the class I taught in July:

(more images from past classes)

For this session, we reduced the class size to six, so there will be more time & space for everyone. The awesome artist/activist/engineer Jen Hall will be the T.A. This is gonna be great! Four classes (+ an extra work night as well) for $160, sign up here!

All during this time I’ll be getting ready for a solo show in November at the University of Rhode Island Main Gallery in Kingston, RI. I’m hopefully going to display all (“all”?! well, maybe) the prints & posters I’ve made since 2001. We’ve been jokingly saying it’s “a retrospective” but that is actually what it is so I guess I should quit jokin around! I was pulling out the contents of the my archive/portfolio flatfile drawers to show to Ron Hutt, the URI gallery curator, and I got slightly overwhelmed thinking “oh crap, this is like my ‘life’s work’ right here”. Geez! Deep thoughts! You better come see the show! The opening will be Thursday November 7th, 4:30-7:30pm; the show runs through November 29th.

I’m also super excited to be working on a short video with Tara Cavanaugh that will go in the gallery along with the print work, most likely showing some of my process, shots of my visually-overwhelming studio, me talking about how & why I do all this stuff, me walking romantically among some empty industrial buildings, my roommates making faces in the background, Buio-cat, etc etc etc.

(possibly similar subject matter but much better than this “action shot”:)

Okay, that’s all the near-future stuff. Further out / further away: if you find yourself in Abu Dhabi, some of my art will be in Maya Allison‘s apartment/gallery show “Providence — True Love Always” there, beginning on October 25th; in Providence, look out for some kind of holiday sale type thing in December; in February I’ll be lurking around New York City to help out my lil brother & his partner after they pop a babs (!), and maybe I’ll be making some kitchen-window drawings or something; at the end of March & maybe early April I’ll be in California cause I will have a piece in the “Queer Communities in Print” portfolio that Corrine Teed is organizing to be part of the SGC International Printmaking Conference in San Francisco; annnnd…. that’s it? for now? see you soon? what is this thing called life?

traveling — locally

July 17, 2013 at 4:21 pm

explore_04

While sitting outside on the bridge and working on the drawing for the Manchester St. Power Station image (actual print on paper on slight pause right now, totebags are in production and I think I’ll be seeing them soon?) I became aware that every day I was drawing outside I would come home and say “drawing outside! it’s the best! I love it! I feel great!” etc.

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So, when making a big to-do list / plan with Emmy a couple of weeks ago, I made sure to put “sunny days: go draw outside” on the list. Gotta put it on the list if you wanna get to do it! And too many summers have gone by when I’ve had a strong intention to sit outside & draw, that has never turned into actually taking the time to do that…

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After getting the tote bag design done (which ended up being a lot of adobe illustrator work on minute adjustments to vector points, driving me totally crazy) I was like “get me outside now” and started doing a bunch of bike riding & exploration & looking for cool stuff & sitting down & drawing it. Also taking pictures of buildings, hand-painted or otherwise interesting signs, and other things…

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Basically I feel like I am “traveling” in my own city. Not “traveling” like “on vacation”, but “traveling” as in letting your open-eyed-ness become acute, seeing things for the first time as you do when you are in a new place… being an alert observer of what is around you, looking for the patterns and noticing the ordinary. It’s pretty great to be able to open my eyes really intentionally to the place where I have lived for 14 years.

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Also I’m pushing myself to explore further & go places I haven’t been before, see things that I have never seen, that are hiding just around the corner from me in Cumberland or East Prov or Cranston or West Warwick… Bike is obviously the best vehicle for this kind of exploration…

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So there are no drawings in this post cause I haven’t scanned them yet! and partially because they are a little ‘fragile’, not physically but in my understanding of them, they’re still practice / process, not ‘product’ yet… which they maybe never have to be? or maybe what makes them interesting is because they are a record of the discovery that is taking place while they are being made… ? But I’ll put some scans up soon, promise…

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These photos are all from one day exploring in Providence, Pawtucket, Central Falls, Cumberland, and Lincoln, with the always awesome Meg Turner, who also loves bike riding and exploring, who can be recognized by her catchphrase re. abandoned buildings: “There’s always a way to get inside”. I didn’t finish my drawing yet… have to go back to the building & look at the light again…. !

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some linkssss:

Valley Falls Company (site of the first photograph). Also, the Blackstone River Valley is where all these photos are from & it’s beautiful!

Meg’s print of the Pawtucket/CF train station

The Club Juventude Lusitana in Cumberland…

Festa de São João


okay finally I got someone to take a picture of me next to this graffiti on North Main St (photo by Meg). I still have serious ambivalence about my representation in photos, so it goes… but I guess I can put this out in the world… !

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