right now!     ian g. cozzens updates, news, photos, and thoughts

the show is up!

November 6, 2013 at 3:21 am

… after four and a half relatively brutal days (and some long nights in there) of installation work. I cut a ton of pieces of glass to put the art behind, I hammered in almost 400 L-pins to hold the glass (and prints) to the wall, I began to understand why people *frame* art (cause once you frame it once you never have to frame it again!!!), I depended on my friends, especially Scott, for help & support… I felt more professional than ever before, and also very much like a force of chaos in the desirably-predictable space of the gallery… and not in a cool disruptive gadfly way like when AO & I were working on the Magic City Repairs project, but in the way where I was letting people down… if that makes any sense?

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BUT! It all* got up on the wall, despite (or because of?) the chaos; it looks very professional (I think/ I am still surprised by), and I really hope you will come to the….

… OPENING RECEPTION!

free & open to the public, wheelchair accessible, etc, as a public institution all places should be. Catered! food! drink! (no wine though since it’s a university? or somethin’? bring your flask if you wanna, I guess). Thursday November 7th, 4:30-7:30 pm, University of Rhode Island Fine Arts Center, 105 Upper College Rd, Kingston RI.

please come & join the party & check out what I spent 13 years of my life on!

People are coordinating some rides from Providence on the facebook event page, if you’re not on facebook & need a ride, email me & I’ll connect you to somebody. You can also take the 66 bus from Kennedy Plaza, it seems to run about every hour… If you can get down there, someone will probably be able to drive you back to Prov afterwards, as a last resort you can climb in the back of Scott’s van….!

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(This is the front of the postcard that I made, featuring many of my favorite tools…)

*(The only things still missing from the gallery walls, in my mind, are some photos that are necessary to give context to the paper ephemera from the Magic City Repairs project… photos which I don’t have physical prints of yet. In thinking about this, I realized that I haven’t gotten a physical print made of a photo since I stopped taking pictures with film, which is strange… but I’m gonna go to CVS tomorrow to remedy that situation, hopefully I have a chance to sneak in with a hammer & level before Thursday afternoon!)

The funny thing was, when we started to actually get all the artwork up in place, my first thought was “it’s like looking at my website, but all at once and without having to click on links”. I’m not even gonna try to figure out what that means in terms of how much the internet has colonized my brain, I’ll just leave it there… and I really haven’t processed the surrealness of having all this work, each piece of which has defined and shaped my life in its own way, up in the same physical space. It’s surreal. I don’t know what more to write about it than that — I’m still pretty sleep-deprived… !

Here’s a moment from the hanging process, this is the “recent work” wall, which is (parts of) 2012-2013, in progress… (and yes, “Queer Buttz” did make it into the show…)

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Here are some screenshots of the spreadsheets that I made to organize the many (I haven’t counted yet) pieces of work for the show, and that will hopefully help me to put everything back in its correct place when it’s time to take it down…

October 27th at midnight:07:47 AM:

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a detail of another screenshot around the same moment:

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… and then, November 1st at 2:53:54 AM:

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and here are the same documents (or a selection of the information thereon) in action, as reference documents for cutting the glass to go over the prints:

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Here’s the *back* of the postcard that got printed (the yellow/orange image above up there is the front); I’m proud of all this hand-drawn text (from the poster) used as computer text, even though that in itself was a project & a half….

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And here is the 4-foot-wide text on the gallery wall, I traced my scans of the knife-cut-paper letters into vectors & then it got computer-cut by some place out of a plastic fabric / sticker stuff… looks so cool, doing the vector work is physically difficult for me cause the tablet I have is old & it’s strenuous to hold the pen (because it’s wide in diameter, I think…)… but it’s cool to see my hand-drawn letters so big! Yay for vectors? maybe? It’s so not-fun to make them but… well… they’re useful…!?

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That’s it! gotta keep working on some spreadsheet stuff tonight! Tomorrow I teach the second class of my AS220 class (on their website it’s marked as “sold out” for now, but there will be another one in January 2014!). Thursday the opening! Then hustling to finish up Craftland stuff! and to move my woodshop stuff out of Building 16… and you know, just to get everything done… whatever…

feelings of love, & fear

October 24, 2013 at 3:43 am

Last night & tonight I’ve been powering through the final incarnations of the project that I was making those three-dimensional letters for. Here’s the first one, the poster for my upcoming show (which will be printed by the URI printing services!):

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So I think it was worth many hours of adjusting objects tiny amounts while squinting through the viewfinder???!!! Big thanks to photographer Matthew Clowney for helping me out with photoshop adjusting some lighting levels, sharpening, and making the pencil text more legible! and also huge gratitude to Scott for putting up with a giant door/table, tripod, and light stand (a.k.a. a mic stand that he let me borrow) in the middle of our shared studio for 48 hours…

Tonight I’m feeling exhausted by computer work / sitting at the compy all day doing layout — last night I was feeling SUPER energized & in love with all the tools I use and even feeling psyched about the digital tools — camera and photoshop — which I always feel like I am just starting to learn how to use. So — that excitement continues, but is always ready to flop over into overwhelmed-ness by all the different things you can do with digital tools… sometimes it’s nice to have a tool that just does one thing?

Here are some moments in this process that I had never done before, and which felt pretttty confusing / scary at times:

… initial thoughts towards text arrangement…

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… got all the elements I had initially planned for in there, but it looks pretty barren & empty… hmm…

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… some of my tools were on the table, what if I start putting the tools in there too? oh, that’s better. okay…

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… at some point I realized I had to modify the chipboard holding up these little letters so that the light could shine through them…

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… which gives me a new understanding of the term “drop shadow”…

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… here’s the studio while I was shooting / adjusting / shooting / adjusting / etc. it really was pretty impossible to move around…

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… and then here’s the second setup, for the postcard design, on which photoshop / layout is almost done. this camera & object setup went a lot faster, unsurprisingly! you can see how chaotic the table had become…

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It was really fun to make a mess like this for the camera; it was crucial, I guess, to be doing it under time pressure so I had to bring it to a conclusion instead of fooling around; it made me want to be doing stop motion animation or something? or building dioramas of buildings to draw them? or just making lots more three dimensional letters? We’ll see… not right now, now I have to get the actual art ready for this show!


Here are some photos of the aftermath of the talk / presentation I did at the RISD Museum on Sunday:

A table of tools, including some of the drawings / watercolors I made of the Allens Ave warehouse demolition process this summer:

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Erik Dardan & Scott talk in the background of poster process material spanning 11 years:

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And this is for evidence of my “digital workflow” — scanning some of the three-dimensional letters to make them into the text for the back of the show postcard.

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This is my 2005 (!) powerbook, with the bottom third of the screen non-functional, but luckily still choogling along, since my newer computer can’t run the ol’ crappy scanner (and I do love this old compy). These moments of going back & forth between digital & physical, in somewhat (very?) inefficient ways, strike me as totally hilarious and also a nice hallmark of living in ‘the future’, the real future, which feels terrifyingly and authentically science-fictiony… There’s never a clean jump into the future, we’re always dragging our old rapidograph pens and film line cutters and proportional scales and rusty 1970s pickup trucks and ninety-year-old buildings and crappy scanners that haven’t completely broken yet into the future with us… And we’re using them right next to our unimaginably high-resolution digital capture devices, at the same moment as we check in with our constantly-interconnected, instantaneously-updated, internet personality profiles…


There’s one more spot left in my Transparent Colors & Hand-Cut Stencils advanced silkscreen class at AS220! Starts October 30th, the awesome Jen Hall will be the T.A! Come hang out with us & learn some intense / cool screenprinting techniques!

roll over, more to come

September 30, 2013 at 2:05 am

This was the ten-thousandth (at least) picture taken on my little camera:

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The other day, the camera created a new folder on the card & started putting pictures in it, and I was like “huh?” until I noticed that the first image in that new folder was titled IMG_0001.jpg. Looking back, the first picture I took on the camera seems to have been IMG_1576.jpg, so I’ve taken eight thousand four hundred and twenty four pictures since March of 2011… & a bunch more photos must have been taken by its previous owner (I can’t imagine that he only took 1575 pictures with it, but it’s possible?)… (and it’s a canon powershot sd1000 “digital elph”, if you’re curious.)

So, good going, lil camera! Thanks for being tough & sturdy, fitting snugly in my pocket, having decent battery life, and letting me take literally thousands of pictures of manhole covers, building details, hand-drawn letters, and cool-looking cats, etc etc, that I am happy to have recorded somewhere, even if they may never see the light of day…


I realized that in the last post I totally forgot about two other event-type things that are happening soon! Crap!

October 2nd through November 2nd, in Lowell, MA, some of my poster work is going to be part of a show at Zeitgeist Gallery, called “The Message is the Medium: Prints, Propaganda, and Persuasion”. There are two opening events, one Thursday Oct. 10, 6-9 pm, and another Saturday Oct. 26, 6-9 pm. Lowell is having a celebration of printmaking (?!) this fall and the folks at Zeitgeist decided to showcase political print work, and asked me & some other Providence artists to be part of the show. I don’t know what it’s gonna look like but I am excited to go & check it out, and I’ll try to make it to at least one of the openings! (Lowell is a really, really beautiful mill town… and when I’m there I’m gonna be looking around to catch a glimpse of a cat, so I can make the dumbest joke ever….)

Here in Providence, on Sunday, October 20th, from 2-4pm, I’ll be doing a presentation about my methods & process of working on things by hand, and leading a conversation about intractable, flawed physicality, at the RISD Museum.

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My talk/presentation/conversation is called “Material Resistance”, it’s a “Demo & Discourse” event in the “One Room” series of presentations that is part of their “Locally Made” show happening now through November 3rd.

Confused? I am too, a little bit. But it should be good, I like showing & talking about my process work (as readers of this blog already know), and I’m excited to get to link the materiality / immateriality of the artwork I do with the materiality / immateriality of the body, language, and body+language stuff I think about a lot. RISD Museum admission is free on Sundays! FREE!

Here’s the statement for that talk, which I just re-wrote & expanded from what’s actually on their website at the moment… hopefully they’ll switch it up…

I’ll show some of the layered process work and test sheets from my silkscreen prints, and some recent drawings of buildings & spaces in Providence & the surrounding area, and maybe some other new projects. I’m interested in talking about how the physical substance of the world is crucial and everpresent — and always incoherent and stubbornly inaccurate. We muster up all these tools to bring our worlds into being, whether they are pencil, ink, & paper; structural and sheathing elements of the buildings we create for ourselves to live in; or the ways we dress, modify, and present our bodies to enable our existences… and even though all these attempts will fail us in one way or another… we do them anyways!?

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I will also probably talk about screenprinting as a one-, two-, and three-dimensional medium… and about dazzle camouflage as queer protective/illusive body strategy, via analysis of scale and pattern in architecture… just some things I’ve been thinking about recently all the time…


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Today I got to hang out with Tara Cavanaugh and do some co-directing, kind of, of some video documentation of my process & existence…? It was fun, we noodled around the Paragon Worsted Mills building and Tara took some footage of me drawing on the drawing of the loading dock alley that I’ve been working on (slowly!) since April 2012… and she got psyched on the afternoon-light-gorgeousness of that seemingly infinitely complex structure; it was cool to share that building with a friend…

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Then we walked up Manton Ave to the house & she documented my visually hectic studio and me cutting tiny rubylith things (last steps on the power station rubylith!), and then we did a hopefully cool process walkthrough of shooting a screen, washing it out, setting it up, and printing! Bam! It will be very useful (as a teaching & explaining tool) to have this all well documented; I will share it here when it’s done!

Here is (slightly sloppy) evidence of demonstration printing of the 1-color version of the power station print; it’s come a long way from back in May

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Well there’s already been some building details on here, but we need our hand-drawn letters, stuff on the ground (no manhole covers this time, sorry), and cool cats… in the interest of letting photos see the light of day, here you go!

Hand-painted sign plus doughboy doll from Mr. Doughboy in northern R.I.:

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Some squished garbage that is totally gonna be the beginning of some art thing:

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Rowan and a kitten on a string!

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“practical tools for shifting reality” — art opening this saturday, february 2nd, 5-7pm!

January 31, 2013 at 8:00 am

overlapping rubylith, the words "desire" and "junk"

If you’ve talked to me in the past five weeks, I’ve probably been slightly incoherent, stared around me confusedly (especially in large-group social situations), and mumbled something about rubylith, mixing ink colors, and how I need to get back home to the studio to keep working… So, in sincere apology for that slightly rude behavior, I would like to invite you to come to the art opening where you can see all (or most of) the stuff that I have been working on!

This Saturday, February 2nd, 5-7pm, at AS220’s performance space gallery (115 Empire St), I’m showing a whole bunch of new work. Some editioned prints, a whole bunch of tiny drawings of words/letterforms, things in actual frames (whoa!), hand-printed “classic paisley / new pattern” bandannas/hankies, newly re-printed agit-prop from earlier this summer, and a bunch of very new (aka finished yesterday!) unique screenprints that were amazingly full of discovery and magic to make and which I’m SUPER excited about.

The show is titled “Practical Tools For Shifting Reality” — it’s up through Feb 23rd, and AS220 is open from noon to late evening every day except Monday.

Here’s the facebook event page, if that kind of thing is useful to you.

Neal uses a level to hang a framed print on the gallery wall

The work is lots of hand-drawn letters, lots of overlapping colors, echoes of my thinking about how we create our bodies and existences, and the world around us, through strategic and/or magical language and significant objects… Words as structures and tools and actions, printed things as evidence of thought & of having an idea & making it real & sharing it with the people around you… Creating reality, talking about things, making them happen. This is some of the first work I’ve made that’s felt like an extension of my embodied existence, rather than a distraction from it or dazzle camouflage for it. I hope you can come see the show!

Below are some snapshots of the world I’ve been living in for the past month or so: hover over each image for details. I’ve extracted myself from a lot of sociable things happening around town (with a certain amount of regret / “missing out”), but it’s been a really, really satisfying & fruitful re-engaging with my studio practice. I need to figure out how to maintain this level of art work energy and also have social time as well… but I don’t want to stop working on this stuff… because being engaged so seriously in these processes is pretty much the best thing ever.

So many people need thanks, first off: Neal Walsh & Mollie Deerkin for being the super patient & awesome gallery folks at AS220. Thanks to Walker Mettling for riso-printing skills, Liz Novak for fabric assistance and teaching me how to use the rolled hem foot, Tatyana Yanishevsky for glass cutting impetus & assistance, Andrew Oesch for crucial studio visit & computer loan, Meg Powers for allowing me to re-print her sticker drawings, Faces Imaging for film outputs over a national holiday, Mt. Pleasant Hardware for supplies & all the scrap glass, RI Glass for the nice non-scrap glass, Lorraine’s for their bargain fabric loft, Peter Lutz for miter-saw loan, Meg Turner for consults & encouragement, Jesse & Chris for driving me places, feeding me, & putting up with my distractedness & totally weird hours, Olivia, Katrina, Graci, Freya, David R, Noel P, Katie M, Cybele, & other friends for “hanging out” with me when I was “working” at the same time, and everybody who wrote about how & why they wear their hankies. There are probably others that I am forgetting!

and, Last but Most Crucial: Scott Reber for driving me everywhere, playing awesome music, being a late-nite studio companion, sharing selections from his readings, thoughts on dissonance, creative excitement, and terrible jokes… and Emmy Bright for frame loan, delicious/nutritious food & salted caramels, and a crucial logistical / strategic prioritization session, without which none of this work would have been completed. Thank you!!!

also, of course, insistent companion & dedicated co-sleeper Buio-cat:

cat on desk "helping" with art

art sale season is (almost) over…

December 17, 2012 at 4:40 am

… at least the part of the season where I stand around near a table & have all my prints on display for people to look at. yeah!!!

I’m pretty wiped out from being so extended into the public/social realm for the past two weeks, printing with a bunch of friends/visitors at my house/studio, then selling work last weekend at the RISD sale and this (just) past weekend at Cardboard Pankakes at NUA. But A) it was important to sell stuff & make the money, which you gotta do to stay alive… and B) it was really all lots of fun. Though I was really tired for some of the sale days, it is always great to talk to lots of people (some friends, many strangers) & ask them about their relationships with Providence & their lives and experiences (for example, someone told me about being a teenage night janitor in the Industrial Trust Building in the 1970s & smoking weed in the middle of the night up in the observation tower… what!!??).

Also it’s amazing when people come up to me & say “I saw your print on the wall of my friend’s house in Dublin!” or “My professor had us over to her house for the final class of the semester & her kitchen was full of your work…” or when people get a certain look in their eye when they’re buying something & you know that it connected with them on a very specific & personal level. It is strange, super humbling, and magical. What just happened? I had an idea for something, and made this thing that I thought of, and now it’s gonna be on someone’s kitchen wall for a year & they’re going to look at it every day & think about it every day… or it’s gonna fade into the backdrop of their daily life, but still be there in the corner of their eyes when they cook eggs and drink coffee with their friends… or their kids will grow up with this poster on their bedroom wall & it will be “that poster that I had on the wall when I was a kid” for somebody…

Anyways I don’t want to exaggerate the importance of what I do cause it’s just posters & letters & graphics & colors. But I also want to acknowledge that it has a power and it is important to our identities and that we choose graphic material to be around us because we feel the meaning of it or we want to be reminded of what it is telling us… I have lots of thoughts about this & they’re all garbled right now because I’m still exhausted, but the simple upshot is that I’m super honored that people choose my work to be around them! thanks everybody! it’s really amazing & I’m glad you like the work.

[… at the RISD sale, I was tabling alongside traditional glass-worker/high-tech ‘maker’ Jenine Bressner (Fireworks/Flowerclouds), across the aisle from fabric artist Cynthia Treen & photographer Karen Philippi, and I got to hang out for one too-brief moment with screenprinter colleague/pal Liz Squillace from Bridgeport, above! … and NUA, of course, was full of wonderful people actually too numerous to mention, many of whom can be spotted here in Max Binder’s photos.]


Okay and in self-promotion mode… if you somehow missed corralling me in person while I was standing behind that pile of paper, but you still want a print! Both Craftland and Frog & Toad have some of my prints & postcards at their stores… It’s getting close to the wire for Christmas-eve-arrival mail-order but here’s the WEBSTORE anyways, if you’re in the northeast USA a mailing tube will probably still get to you in time for that holiday! OR, if you’re in Providence you can come over & look through *all* the prints here at the studio & take some home with you, get in touch: secretdoorprojects (a) gmail.com. yet another OR, if you’re in Philadelphia I’ll be heading down there on the 22nd or so, get in touch & we can arrange a pickup / drop off.

OKAY BEDTIME

upcoming art-based social events at which you can buy my prints!

November 30, 2012 at 6:19 pm

I’ve been working hard, I’m excited about the work, & there are lots of chances around town & elsewhere to buy screenprinted posters & prints & postcards that I’ve made.

  • RIGHT NOW! Friday November 30th, 5-9pm — Craftland opening party & fun time, in downtown Providence (235 Westminster St). meet the artists! snacks! etc! plus my work will be ongoing-ly for sale at Craftland through all of December.

  • Saturday December 1st, 3-8pm, & Sunday December 2nd, 10am-3pm — I’ll be selling my work at the holiday art/craft sale of Fertile Underground grocery store on the west side of Providence (1577 Westminster St).

  • Wednesday December 5th, starting at 7pm — art opening (+ music, performances, etc) of a radical/feminist printmakers’ art show at Bluestockings bookstore on the Lower East Side of New York City (172 Allen St, Manhattan). I will actually be there (whirlwind NYC trip, yikes)!

  • Thursday December 6th, 7-9pm — studio open house & sale at Patti Barnatt’s West Side Sewing Studio at the Steel Yard (27 Sims Ave, Providence). brief but sweet! a warm respite from the cold outside.

  • some of my prints are available at the awesome Frog & Toad shop (795 Hope St, on Providence’s East Side); there’s a Hope St. holiday stroll thingy on Thurs. December 6th, 4-8pm, with cool demonstrations & food trucks & family fun & all the things that people on the east side like.

  • Saturday December 15th & Sunday December 16th, 11am-4pm — Cardboard Pankakes, a winter-time studio sale at New Urban Arts (705 Westminster St, Providence). I’m helping organize this holiday sale of amazing artists, zinesters, comickers, & craftspeople. it’s a serious all-star assortment of Providence maniacs!

Okay, holiday self-promotion done? Oh wait, there are also two of the new versions (red-orange, mint-blue) of my Industrial Trust Building print up on the store — I’ll be putting a bunch more recent prints for sale up there on Monday, as soon as photo documentation is done!

new color work

October 26, 2012 at 4:32 am

In the past I have been very frustrated, impatient, and (even?) bored when re-printing new editions of old prints. When you print something for the first time, there’s the moment of excitement when you see how the color layers are coming together, all these interactions that you had previously only conceived of in your head and tried your best to build into the transparencies. That moment can be super exciting, when it all works as you planned… super frustrating, when you realize how far off you were… either way, undeniably compelling.

That flash of totally new resolution, and the engagement & process & figuring out that go along with it, is missing from a second printing, and I’ve found myself just not caring about how a second edition of a print turns out. I don’t know if that’s a terrible confession of my artistic callousness — or if it’s actually okay, like it’s just not life-or-death anymore, and really it’s not life-or-death at all in the first place, it’s just ink on paper, it’s okay, and the second-edition-reprints make that clear (whereas the first printing of something is usually the culmination of a ton of work and stress and intense energy and carries all that momentum…).

But for some reason re-printing the Industrial Trust Building prints (first printed in 2009) was really fun and I had a great time mixing the colors and I think they are a lot better (or maybe just more confident and less conservative) than the original colorways… and I have developed a lot of control over the rainbow roll / ink gradient (most of which just involves doing lots of test prints on waste sheets when you can tell the gradient will not be smooth)… and I have somewhat better command of the transparent colors as well. Also I have this new technique for keeping my screen exactly in the same place which takes all the frustration out of alignment (!!!).

So! Very satisfying. There’s one “subtle” colorway, partly inspired by the personal fashion color scheme of awesome friend Christiane Marie, one “pink and grimy green” colorway for all those pink-lovers which now includes me I guess, and two more that are semi-converses of each other and are somewhat based on colorways from the postcards and are just bold & good. When sleep-deprived I have found myself saying that the colors on the blue-&-mint-green-sky print are “perfect”. Not sure I would totally stand by that when not hopped up on two hours of sleep. But it looks pretty nice.

Color mixing sequence. The first picture here appeared in the last post, but I threw it in for nerdy comparison purposes. Look at the two test sheets, one white, one ‘ivory’, that appear in all three of these photos, for context of “how many marks have been made since the last photo was taken”…

I took this picture for Buck Hastings so we can prepare to battle, I think he will win…

Chipboard is so not archival but it looks sooo good with silkscreen ink on it…

Your diligent correspondent, having just printed around 350 of these bad boys; that’s 2 pulls on each print, not counting all the test pulls on newsprint! I’m awaiting the day when someone says to me, “Wow, you really have the shoulders of a serigraphist!”

Here are some of the shelves I referenced in the last post: the new ones are on the right, at paperback-depth (upper) and zine-depth (lower)…

… and new ink shelves for all the transparent colors (the laser-cut background panel was scrap from a recent project by amazing Providence artist & friend Joan Wyand!).


…unrelated…

Looking across the Woonasquatucket River valley, from the (newly cleaned up & organized) third floor studio:

and last but not least, happy Halloween from Buio!

studio time

October 5, 2012 at 4:22 am

Radio silence here, due to mostly-quitting facebook (it was sucking all my life, time, & attention away?) and spending a lot of time taking care of long-procrastinated projects around the house & in the studio. Which has mostly meant cleanup & organization, sorting out things, taking action on random un-acted-on things, and building shelves. I probably haven’t talked about how much I like building shelves… more on that sometime soon, along with pictures of the shelves. (“It’s not hoarding if the stuff is on a shelf, right???”)

Now it’s back to art work, somewhat reluctantly. The studio is way way way more organized & more of an actual useful active work space than it’s been since we started renting it (SIX YEARS as of early September ’12!), so now I know how long it takes to have a functional studio space come together, for future reference. I find myself with a physical desire to keep organizing “just a little bit more”, to “really put things into place”, but I’m aware that organizing itself can be a procrastination tactic for me. I want to recognize the substantive value of “setting up” even in the absence of “actually playing” (as evidenced by the hours my childhood best friend Alyssa and I would spend “setting up” the My Little Ponies, in preparation for “playing with them” which never quite actually happened, the “setting up” was engaging enough in itself or maybe was really the whole point…). However, in my semi-grownup or at least no-longer-9-years-old life, I have stuff I want to make and this studio is a functional structure for letting that stuff happen, not an end in itself!

So this is what’s happening right now:

… getting ready to re-print these guys which have been my bread-n-butter in terms of what people want to spend money on around these parts; all five colors of the first printing are now pretty much all gone! Tuesday I got struck down by some sickness (cold & fever?), tried to fight it, Wednesday didn’t get much done besides a long bicycle errand, today gave in & spaced out & made good food & napped all day, taking care of the sickness which was making me immobile & useless… Then mixed some colors tonight, as seen in the photo. I’m trying to get just a couple of the second edition of these Industrial Trust Buildings printed before the RISD street art sale which is happening on Saturday October 6th, very very soon!

Also listening to a live Work/Death set consisting of Scott putting a bunch of random metal items on a crappy old turntable & recording its rotation. Ambient aluminum rustlings. Lovely.

commemorate a riot with me

June 14, 2012 at 4:15 am

I wrote a bunch of stuff about why I have been organizing around queer issues & to build queer community here in Providence, but that writing got erased, which is okay, it was important but it wasn’t well-articulated enough yet!


(photo by the amazing Jori Ketten)

The brief version (in run-on sentences, sorry mom!) is that I am working hard with others to create/assemble/coalesce a queer community here, and to spread awareness of queer & trans existences and the languages & concepts that make space for those existences, so that trans & queer people in Providence don’t have to think: “all the trans people I’ve known have moved away” or “I am the only person I know using a pronoun that wasn’t assigned to me at birth” or “it’s going to be impossible to get people to understand me as male & to use the right language for me” … all of which were things I thought frequently three-and-a-half years ago. Not that it’s perfect here now… but we’ve made huge progress & have really built something real. There are still a bunch of things I worry & stress about around my existence as a queer trans guy… but those worries aren’t that I am alone in my queerness here — that has truly changed.

At this tumblr: queerlilrhody.tumblr.com and below, you can find the giant roster of events that a loose group of queers here (including me) has been working to put together for June of 2012! We’re commemorating the 43rd anniversary of the Stonewall Riots not by saluting our corporate sponsors & buying a lot of lite beer, but with conversations, celebrating our creativity, working on oppression, dealing with difficult stuff, & figuring out the next steps forward. Oh, and abolishing prisons & ending the state institution of marriage altogether? Those are on the way. ;)

… and yes, this organizing work is also my “real work”.



Thursday June 14: 6pm, 186 Carpenter St.

“Liquid Sky” screening: queer/lesbian/trans sci-fi film set in 1980s New York City. A conversation about femme visibility will follow the film. Trigger warning: this film contains graphic depictions of sexual violence

Friday June 15: 4:30pm, Bank of America building, Kennedy Plaza.
Join Jobs With Justice & other local organizations to address Bank of America’s foreclosures in Providence. BoA is one of the sponsors of the “Pride” parade & festival — as queers, we’ll be there to denounce them for “supporting” “the LGBT community” when it’s fun & visible, but then with their other hand, undermining our lives and those of our neighbors in our communities.

Friday June 15: 5:30pm, Kennedy Plaza side of Burnside Park downtown.
Queertical Mass – Circus on Wheels! Join us on a ride where we can celebrate the strength and power of riding together without the need to “dominate the roads.” An accessible, fun bike ride for everyone! CIRCUS theme!

Friday June 15: 7:30pm, Libertalia Automous Space, 280 Broadway.
“HOMOTOPIA” screening. “Love revolution, not state delusion! Race, gender, ability, & desire are reworked through an anti-colonial queer struggle creating a visual rhythm of melancholic utopianism”

Saturday June 16: 10pm-2am, AS220, 115 Empire St.
FUCHSIA IS NOW #7 presents SMEAR CHAMPAGNE: “a killer and amazing anti-corporate Stonewall commemoration party: voguing, fashion show, homemade BMI/ASCAP-free beats and so much birthday cake and yelling!” All ages / anti-corporate / anti-assimilation queer [dance] party, basement zone transported to downtown for one night. $1-5

Saturday June 16: 9pm-1am, Mathewson St Church, 134 Mathewson St. downtown.
Youth Pride Inc. Pride Night Dance Party! Free, open to ages 13-23, alcohol- & drug-free, food & refreshments provided.

every Sunday: 6-8 pm, Libertalia Autonomous Space.
Rhode Island Anti-Sexism League meeting

Sunday June 17: 7pm, AS220.
“Heart Breaks Open” screening. A feature film which recasts biblical narratives around HIV positivity, transmasculinity, drag and the sisters of perpetual indulgence. $1-5 donation

every Tuesday: 5pm-6pm: BroadMed Building, 557 Broad St, enter from the parking lot.
ACT UP RI – Open Meetings. AIDS Coalition To Unleash Power: fighting for healthcare, justice, and to end AIDS locally & worldwide.

Wednesday June 20: 6-8pm, Location TBA.
Queer prisoner letter writing! Meet and talk about the prison-industrial complex as related to queer lives & politics, connect with prisoners and write initial letters to them.

Thursday June 21: 8pm, Libertalia Autonomous Space.
Unite & Fight! a Forum on Queer Liberation & Feminism. Rhode Island Anti-Sexism League & allied organizers present a panel & discussion about historical and future shared struggles of queer people and women against sexism, heterosexism, transphobia and homophobia… and thinking about what a queer anti-sexist grassroots organizing community can do here & now. Join us!

(Queer Liberation and Class Struggle reading group, postponed to sometime later this month! Details TBA. email chrisgang@gmail.com for more info.)

Friday June 22: 7:30pm, Libertalia Autonomous Space.
“Madame Satã” screening: a film based on the life of infamous Brazilian drag performer & outlaw João Francisco dos Santos. Discussion will follow on homosexuality & masculinity in the Portuguese-speaking world.

Sunday June 24: 11am to 6pm,
Queer Farm Day at Scratch Farm in Cranston, with potluck lunch & gender-variant- & body-positive swimming at 1pm. Come for all or part of the day, help harvest & spend time in safer queer rural sanctuary space with queers & allies! email secretdoorprojects@gmail.com for more info & directions.

Thursday June 28:
43rd ANNIVERSARY OF THE STONEWALL RIOTS

Thursday June 28: 7pm, New Urban Arts, 705 Westminster St.
“Queerly Present” evidence of queer lives in Providence: readings, spoken word, performance, music, etc.

Friday June 29: 7:30 pm, Libertalia Autonomous Space.
“The Raspberry Reich” screening, a pornographic, violent & satirical Bruce LaBruce film that explores the ‘innate radical potential of homosexual expression’. Followed by discussion about queer resistance and violence.

Friday June 29: 8pm, 95 Empire Black Box, 95 Empire St.
“How To Be A Lesbian In 10 Days or Less” + “You Just Need A Little Lipstick”: ‘motivational speaker’ performance, and new work in progress, by Providence theater-maker Leigh Hendrix. $5

Saturday June 30: 2-4pm, Libertalia Autonomous Space.
AIDS and gentrification reading group. More details TBA.


YESSSSSSSSS see ya in the streets!

duotone, finally

May 28, 2012 at 2:22 am

I’ve been working on this Recycle-A-Bike poster for probably a year… but I realized I hadn’t ever posted any images to this blog yet. So here goes! [n.b. I have actually finished printing this poster now!]

Here are the duotone transparencies that I prepared literally almost a year ago for printing out: the darker color is on the left & the lighter color is on the right. (There is a line grid in the background so that I could align the hands once I had cut them apart — Faces does the most accurate transparency printing in town as far as I can tell, and they do not underprice their work, so it was important to keep the printing area to under 8.5″x14″… so I had to consolidate the hands onto one sheet & then cut them apart to put them where I wanted them on the actual transparencies I used to expose the screens. Once the hands were in place & aligned with each other, I scratched the light lines off the plastic.)

(Oh yeah, when I do a duotone thing again, and thus have to figure out how to do it all over again, I will make a tutorial post… except my version of photoshop is 7 years old! but maybe it will still be useful to some…)

Close-up of duotones. This is confusing because what you’re looking at is the screen for the lighter color (open yellow areas on pink solid background) with the transparency for the next color, the darker color (black dots on clear plastic) top of it… so it doesn’t look at all like it will look when printed, since the lighter color is somewhat “in negative” here. But you can see that the angles of the halftone patterns are different, thus making a “rosette” instead of a weird-looking moiré pattern!

My mom would call this the “art shot” — macro-focus, looking through the screen at a light source, showing a closeup of the freewheel gears (exposed from hand-cut rubylith) and the hand holding the gears (exposed from digitally-printed transparency).

Okay, printing! This is the first color, it was a rainbow roll from one blue to another… I can’t get away from the multiple rainbow rolls over each other, it’s kind of a gimmick but it just offers too many possibilities… (like this, I mean, this isn’t a screenprint but look at Buck Hastings jacking my style/inspiring me all over again as usual!!!)

This layer is all rubylith, yeah I cut all those little gears out by hand, yargle bargle

Second color! Some people who’ve seen this print have said “it’s so flat, usually your work has a lot more visual depth & perspective in it…” and it’s true, that’s what I was trying to do! and/or just to change up my usual way of working… and/or to free myself from creating something that “looked like” what it was “supposed to”… and/or to make a lil homage to the Stenberg brothers who are kind of the seminal crowd faves in iconic graphic poster making, and were my direct inspiration for combining photographic collage with graphic solid color elements in this poster…

In the photo below, you can see really clearly something that Emmy Bright and I have been calling “halftone thinking”: using one ink color to get two tones, one of them solid, one of them made up of dots, dashes, lines, or some kind of pattern. You can do this by hand drawing, making those marks with ink… or by photocopying a pattern & collaging it… or by using an photograph made into actual halftones! In this image, there are four (or maybe five?) graphic tones created by just the yellow ink on the ‘natural’ paper, in different patterns:

Okay that’s it for now, more photos of finished poster soon, and you’ll probably see it around town if you’re here in Prov. Spring is choogling along, being physically alive is pretty awesome, swimming biking dancing doing movement exercises pushing the possibilities of my body getting stronger!!!


“Ferdinand’s” department store building, Roxbury, Mass. When faced with the question of “How will we make our dilapidated landmark building look like a really cool graphic poster image, and keep the pigeons out, while waiting to find out if we can get funding to renovate it or if we’ll have to tear it down?”, these people came up with the #1 absolutely correct answer! I don’t know anything about this project or building, but this is a quite stunning (hopefully temporary) solution to what must be a really frustrating situation… go Roxbury!

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