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queers edition // art sale today!

May 4, 2013 at 2:06 am

Via grainy cellphone camera, the finished colorways of the QUEERS! editions. As seen in progress here and decision-making process discussed here. Finally done, after being promised / procrastinated on for two+ years!


I’ll be at the RISD Alumni Art Sale ***today***, Saturday May 4th (10a-4p, Benefit St. & Waterman St. in Providence) with these brand new guys, the new-ish “dissonance” script-font prints that were in the show, the new-ish colorways of the “complexity” manifesto print (and a couple copies of this purple/orange/gold one), the Recycle-A-Bike prints, with their cool silkscreen duotone, that I finished last year but somehow haven’t posted a completed image of until now….. and lots of other stuff! Tabling with Sam Merritt of Double Vision Embroidery who is super cool.

We’ll be accepting “credit cards” via a borrowed “mobile digital device” — your favorite Luddite screenprinting grandpa dips a toe gingerly into the 21st century…


Okay gotta run & finish the last stuff! See you soon! Wish me luck with sleepin’ tonight!

duotone, finally

May 28, 2012 at 2:22 am

I’ve been working on this Recycle-A-Bike poster for probably a year… but I realized I hadn’t ever posted any images to this blog yet. So here goes! [n.b. I have actually finished printing this poster now!]

Here are the duotone transparencies that I prepared literally almost a year ago for printing out: the darker color is on the left & the lighter color is on the right. (There is a line grid in the background so that I could align the hands once I had cut them apart — Faces does the most accurate transparency printing in town as far as I can tell, and they do not underprice their work, so it was important to keep the printing area to under 8.5″x14″… so I had to consolidate the hands onto one sheet & then cut them apart to put them where I wanted them on the actual transparencies I used to expose the screens. Once the hands were in place & aligned with each other, I scratched the light lines off the plastic.)

(Oh yeah, when I do a duotone thing again, and thus have to figure out how to do it all over again, I will make a tutorial post… except my version of photoshop is 7 years old! but maybe it will still be useful to some…)

Close-up of duotones. This is confusing because what you’re looking at is the screen for the lighter color (open yellow areas on pink solid background) with the transparency for the next color, the darker color (black dots on clear plastic) top of it… so it doesn’t look at all like it will look when printed, since the lighter color is somewhat “in negative” here. But you can see that the angles of the halftone patterns are different, thus making a “rosette” instead of a weird-looking moiré pattern!

My mom would call this the “art shot” — macro-focus, looking through the screen at a light source, showing a closeup of the freewheel gears (exposed from hand-cut rubylith) and the hand holding the gears (exposed from digitally-printed transparency).

Okay, printing! This is the first color, it was a rainbow roll from one blue to another… I can’t get away from the multiple rainbow rolls over each other, it’s kind of a gimmick but it just offers too many possibilities… (like this, I mean, this isn’t a screenprint but look at Buck Hastings jacking my style/inspiring me all over again as usual!!!)

This layer is all rubylith, yeah I cut all those little gears out by hand, yargle bargle

Second color! Some people who’ve seen this print have said “it’s so flat, usually your work has a lot more visual depth & perspective in it…” and it’s true, that’s what I was trying to do! and/or just to change up my usual way of working… and/or to free myself from creating something that “looked like” what it was “supposed to”… and/or to make a lil homage to the Stenberg brothers who are kind of the seminal crowd faves in iconic graphic poster making, and were my direct inspiration for combining photographic collage with graphic solid color elements in this poster…

In the photo below, you can see really clearly something that Emmy Bright and I have been calling “halftone thinking”: using one ink color to get two tones, one of them solid, one of them made up of dots, dashes, lines, or some kind of pattern. You can do this by hand drawing, making those marks with ink… or by photocopying a pattern & collaging it… or by using an photograph made into actual halftones! In this image, there are four (or maybe five?) graphic tones created by just the yellow ink on the ‘natural’ paper, in different patterns:

Okay that’s it for now, more photos of finished poster soon, and you’ll probably see it around town if you’re here in Prov. Spring is choogling along, being physically alive is pretty awesome, swimming biking dancing doing movement exercises pushing the possibilities of my body getting stronger!!!

“Ferdinand’s” department store building, Roxbury, Mass. When faced with the question of “How will we make our dilapidated landmark building look like a really cool graphic poster image, and keep the pigeons out, while waiting to find out if we can get funding to renovate it or if we’ll have to tear it down?”, these people came up with the #1 absolutely correct answer! I don’t know anything about this project or building, but this is a quite stunning (hopefully temporary) solution to what must be a really frustrating situation… go Roxbury!

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