right now!     ian g. cozzens updates, news, photos, and thoughts

hourly comics day, somewhat later

April 4, 2015 at 4:06 am

I haven’t written/posted here in a long time, yikes. Here are the “hourly” comics I made back in early February, to try to kick it off again. FEATURING: the official dirtiest apron in the world* (which I drew as completely clean), John Cage chance composition processes, canceled plans, Scøtt’s pink camo bandana, a delicious frittata, crippling trans body feelings, leftover lentils, weird sleep schedules, and my bike parked atop a snowbank (and this was only the beginning of the epic snowfalls that kept us all imprisoned this Feb & March!).

These comics were drawn directly ink-on-paper, no pencils, with some truly unacceptable lines razored out & replaced with another piece of paper. Slight photoshop, mostly to correct for the way that ink-warped photocopy paper scans on a crummy scanner. The one “error” that I would fix in hindsight is to change Jacob’s narrative in comic 9 from “and then… [RIFF]” to “and then… [YARN]”: Jacob can occasionally be heard riffing, but more frequently (and more accurately, in this instance) he will have a yarn to share with you.

James Kuo made hourly comics as well on the same day: here you can find a literal alternate viewpoint on some of these same happenings, some introspection & some intense blanked-out conversation, and — dare I say it? — a cute drawing of me. ;)

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For long-time readers of this blog, some sad news (and part of why I haven’t posted stuff here in a while, I guess) is that my sweet cat Buio, of whom you’ve seen lots of pictures here in the past many years, died on November 17th from kidney cancer… which is why he doesn’t appear in this comic. Tiger, who provides the comic relief above, is chilling with us for a while cause he needed a place to stay for a bit… He’s a fine cat, a high-quality purrer, but not a true friend to me like the Boo was… I miss that guy a lot!


*n.b. my apron did actually win the only Dirty Apron Contest that I have ever heard of… and I’m still using (and continuing to dirty) it so I can only assume that it has kept its top-apron status. ???

open call: Southern New England Tiny Print Encounter !

June 30, 2014 at 9:12 pm

It looks like I’m gonna be involved in organizing three different print shows this summer and fall — here’s the first of them…


the Southern New England Tiny Print Encounter

Friday, August 1, 4-8 pm
AS220 Labs Gallery, Lucie Way off Mathewson St, PROVIDENCE.

Open Call: an exchange/swap/show of 3-inch-by-3-inch prints, open to all makers of printed matter, one night only!

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Create an edition of 3″x3″ prints (any medium, edition can be as open or variable, or as precise & limited, as you wish). You’ll hang one of your prints on the wall, then you can trade & share the rest with other printmakers from around the region & the country.

AS220’s adjacent Community Printshop will also be open 4-8 on Friday for tours, info, and demonstrations. Prints will be displayed on the gallery walls during AS220’s Gallery Night on Saturday, August 2nd, 5-7pm, and through the end of the month.

If you are wondering, “I might not be —— enough. can I still do this?” or “is —— a valid ‘print’ medium?”, the answer to both those questions is YES, DO IT. (and — if you don’t have a print to trade, come anyways!)

This will take place in the new AS220 Labs Gallery, on Lucie Way off Mathewson St, in collaboration with the AS220 Community Printshop and with RIPExpo: the Rhode Island Independent Publishing Expo.

Here’s the event on facebook, & a tumblr announcement, for your reblogging / sharing / inviting needs…

This would not exist without Amze Emmons and Michael Krueger, whose Pint N Print exchange / party / meetup at SGCI inspired this event. Thanks y’all!

[Also, huge shout out to Ruth Orkin, whose awesome 1947 photograph was the basis for my drawing above…]


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Back in March in San Francisco, I decided that the fastest way to get to the bar that Pint N Print was at would be to bike in a straight line across the city… It looked good on the map, but in the hilly (mountainous?) landscape of S.F., that doesn’t usually work out well. I showed up at the bar exhausted, sweaty, confused, with very grimy hands after having repaired a blown-out bike tire earlier in the day, & feeling wicked awkward for some reason… but I still had an awesome time, and realized that some kind of print-based social event in a similar vein needed to happen in Providence!

I’m really looking forward to this, especially to getting to meet and trade stuff with printmakers from all over (since folks in town for RIPExpo are going to be there too…)… and to meet people in Providence I’ve never met before. Hope you can make it — tell your artist friends… & start working on your tiny prints… !

pushing & trouble — conversation on creative practice with CJ Jimenez & Beth Nixon

April 26, 2014 at 5:52 pm

This coming Monday, April 28th, from 7pm to around 9, I’ll be part of a broad-ranging conversation at New Urban Arts with CJ Jimenez, facilitated by Beth Nixon, one of the current NUA Mentor Fellows.

Here in an authentic multi-dimensional Providence context is the multi-dimensional poster made by Andrew Oesch (unfortunately the other two conversations already happened, sorry for not posting this earlier! TIME! augh!):

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… and here’s the event on Facebook if you wanna “share” it.

This is the seventh (I think?) year of having these series of “conversations on creative practice” at NUA — I’m really honored to be asked to be part of one. Based on the preliminary discussion that Beth & CJ & I had, a) there is a lot to talk about, and b) we will be getting pretty real? or at least I aspire to that (as always, but especially in this context). Come even if you’ll be late, you can jump into the conversation at any point… it’s free & there will be snacks… Okay! See you there I hope!

Among some likely subjects: non-documented actions/interactions as art, racism / white supremacy, dog walking, political art, narrative & text, tumblr, invisibility, bodies, the possible scope of our actions as humans…. and more? I’ve known CJ for a long time through various connections (if you go back far enough in this bloggy, you can find a picture of CJ helping Emmy Bright print a poster for one of the earlier iterations of the “conversations” series), & I keep being amazed at how New Urban Arts has created these connections which extend over time and allow me to keep understanding new things about people I first met when they were teenagers… and to grow and learn alongside of them. Yikes!


Other things that have been happening:

— with the organizational help of a friend who is good at the organizing & prioritizing things, I am *finishing* lots of projects to get ready for the RISD Alumni Spring Art Sale, Saturday May 3rd! 6 more days to get ready! lots to do! gettin it all done hopefully… Jess X. Chen & I are sharing a table, & we’re near other friends — come say hi at the corner of Benefit & Waterman Sts from 10-4 next Saturday!

— Hand-drawn letters, they are everywhere:::

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…and I’ve been posting the cool ones that I see, as well as work in progress / neat buildings / interesting patterns / cats / etc. on instagram, I like its simple interface for whatever reason, follow if you want… most of those pictures get cross-posted to tumblr

— In other bloggy news, I’ve been keeping track of my favorite spring happening, the bright green blooming maple tree in our yard

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— Did I write anything yet about being a contributor to the 6th issue of Headmaster Magazine? Well dang, again, TIME!!! (Here’s the preview image I posted a couple months back, but all the contributors were still under wraps at that point, and I have yet to put together a full post on that project…) Also on May 3rd, from 9pm till late, Headmaster is having their Providence release party: “The Pawtucky Derby” (facebook event) at Machines With Magnets in P’tucket. Dancing, fun times, magazines, drinks, snacks? boys? (“men?”) okay! Headmaster (aka. Matthew & Jason) are the sweetest most tender fancy-art-magazine publishers everrrrrrrrrrrrrrrrrrrr <3 — Along with a bunch of other local artists, I'm working on a project for a show at Slater Mill, celebrating the Pawtucket strike of 1824, that will be opening in mid-May! More three-dimensional letters, coming up. I’ll post progress pictures along the way; here’s the space we’ll be working in:

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!!!

— found a use for old laser-printed offset plates! as the best, water-proof, re-usable sheets for masking off areas of silkscreens while printing. YES:

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interim photo post

December 5, 2013 at 5:33 am

Stuff is sad (understatement) cause two good people died recently — Providence artist & musician Joe Buzzell, who I knew glancingly from around town, whose art I admired, who I always wanted to collaborate on a project with — and writer & theorist José Esteban Muñoz, who I didn’t know, but whose writing really shaped the way I see the possibility latent in the world, the potential in queerness, the crucial importance of fighting towards utopia. I want to write more about it, but I’m really busy, aah…. so here are some pictures from the past recent times cause things are also beautiful and here we are, alive.

Building 16, now that it’s over it feels like a dream that we didn’t appreciate enough while we had it….

I built some shelves

and filled them up with stuff.

I have definitely done this in my time as a bike rider:

Epic two-day ink-sort-out, dealing with all the random ink containers (30+ ?) that had accumulated after rainbow rolls that I’d never “put away” properly, for maybe the past two years…?

There’s always a container into which I scrape all the gross crap that shouldn’t go back into the good ink but also shouldn’t go down the drain, just started a new one, here it is:

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In my friend’s secret repository of slightly water-damaged paper:

I acquired all this paper (the biggest sheets here are 40″x26″, the stack is about 1.5 feet tall) WHOOPS

This building is on Public St on the south side, go see it before they put walls on/in it & you can no longer witness this epic structural situation:

I picked up some old wooden casement windows out of the trash today for the first time in a long time. I kind of swore off doing that a while ago (it’s just too tempting, there are so many, and you (I) will never really do anything with them!). BUT today was a “save for some reason” day, except now I know the reason: saving a thing and appreciating its beauty, or planning to do a project with it, is a tiny promise against death, for a little while, completely ineffective, but hopeful in its own illogical way…

tatyana yanishevsky!

October 5, 2013 at 4:32 am

My amazing friend & neighbor & studio-mate Tatyana Yanishevsky, a scientist, software developer, and textile artist, is having an opening on Sunday from 2-4pm at the Brooklyn Botanical Garden, of her incredible knitted plant form sculptures. If you’re in New York City, check it out! I’ll be there. (It’s $10 to get in to the garden but totally worth it, I have been told??!!)

“Anatomically Correct Passionflower”:

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Meanwhile I’ve been working on a lot of logistics and taking care of business, and busting out the project which the pieces below are just a detail of, which I mailed to Abu Dhabi on Wednesday morning…

information bearing shapes

roll over, more to come

September 30, 2013 at 2:05 am

This was the ten-thousandth (at least) picture taken on my little camera:

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The other day, the camera created a new folder on the card & started putting pictures in it, and I was like “huh?” until I noticed that the first image in that new folder was titled IMG_0001.jpg. Looking back, the first picture I took on the camera seems to have been IMG_1576.jpg, so I’ve taken eight thousand four hundred and twenty four pictures since March of 2011… & a bunch more photos must have been taken by its previous owner (I can’t imagine that he only took 1575 pictures with it, but it’s possible?)… (and it’s a canon powershot sd1000 “digital elph”, if you’re curious.)

So, good going, lil camera! Thanks for being tough & sturdy, fitting snugly in my pocket, having decent battery life, and letting me take literally thousands of pictures of manhole covers, building details, hand-drawn letters, and cool-looking cats, etc etc, that I am happy to have recorded somewhere, even if they may never see the light of day…


I realized that in the last post I totally forgot about two other event-type things that are happening soon! Crap!

October 2nd through November 2nd, in Lowell, MA, some of my poster work is going to be part of a show at Zeitgeist Gallery, called “The Message is the Medium: Prints, Propaganda, and Persuasion”. There are two opening events, one Thursday Oct. 10, 6-9 pm, and another Saturday Oct. 26, 6-9 pm. Lowell is having a celebration of printmaking (?!) this fall and the folks at Zeitgeist decided to showcase political print work, and asked me & some other Providence artists to be part of the show. I don’t know what it’s gonna look like but I am excited to go & check it out, and I’ll try to make it to at least one of the openings! (Lowell is a really, really beautiful mill town… and when I’m there I’m gonna be looking around to catch a glimpse of a cat, so I can make the dumbest joke ever….)

Here in Providence, on Sunday, October 20th, from 2-4pm, I’ll be doing a presentation about my methods & process of working on things by hand, and leading a conversation about intractable, flawed physicality, at the RISD Museum.

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My talk/presentation/conversation is called “Material Resistance”, it’s a “Demo & Discourse” event in the “One Room” series of presentations that is part of their “Locally Made” show happening now through November 3rd.

Confused? I am too, a little bit. But it should be good, I like showing & talking about my process work (as readers of this blog already know), and I’m excited to get to link the materiality / immateriality of the artwork I do with the materiality / immateriality of the body, language, and body+language stuff I think about a lot. RISD Museum admission is free on Sundays! FREE!

Here’s the statement for that talk, which I just re-wrote & expanded from what’s actually on their website at the moment… hopefully they’ll switch it up…

I’ll show some of the layered process work and test sheets from my silkscreen prints, and some recent drawings of buildings & spaces in Providence & the surrounding area, and maybe some other new projects. I’m interested in talking about how the physical substance of the world is crucial and everpresent — and always incoherent and stubbornly inaccurate. We muster up all these tools to bring our worlds into being, whether they are pencil, ink, & paper; structural and sheathing elements of the buildings we create for ourselves to live in; or the ways we dress, modify, and present our bodies to enable our existences… and even though all these attempts will fail us in one way or another… we do them anyways!?

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I will also probably talk about screenprinting as a one-, two-, and three-dimensional medium… and about dazzle camouflage as queer protective/illusive body strategy, via analysis of scale and pattern in architecture… just some things I’ve been thinking about recently all the time…


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Today I got to hang out with Tara Cavanaugh and do some co-directing, kind of, of some video documentation of my process & existence…? It was fun, we noodled around the Paragon Worsted Mills building and Tara took some footage of me drawing on the drawing of the loading dock alley that I’ve been working on (slowly!) since April 2012… and she got psyched on the afternoon-light-gorgeousness of that seemingly infinitely complex structure; it was cool to share that building with a friend…

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Then we walked up Manton Ave to the house & she documented my visually hectic studio and me cutting tiny rubylith things (last steps on the power station rubylith!), and then we did a hopefully cool process walkthrough of shooting a screen, washing it out, setting it up, and printing! Bam! It will be very useful (as a teaching & explaining tool) to have this all well documented; I will share it here when it’s done!

Here is (slightly sloppy) evidence of demonstration printing of the 1-color version of the power station print; it’s come a long way from back in May

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Well there’s already been some building details on here, but we need our hand-drawn letters, stuff on the ground (no manhole covers this time, sorry), and cool cats… in the interest of letting photos see the light of day, here you go!

Hand-painted sign plus doughboy doll from Mr. Doughboy in northern R.I.:

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Some squished garbage that is totally gonna be the beginning of some art thing:

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Rowan and a kitten on a string!

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upcoming awesomeness!

September 26, 2013 at 4:54 am

Now fall is officially here, I guess, and with the season, a TON of work & projects just hit me on the head with their reality and urgency! So it’s time to get to work & stop feeling weirdly bummed out all the time……. okay?

Past couple days, I’ve been buckling down, and amid MUCH distraction, finally getting back to this image from the spring. Lots of ***sick*** rubylith cutting is going towards a “finished” version of the Manchester St. Power Station print (there will be many versions of this, but I’m just trying to get a decent one(1)-color [just one color?!! whoaaaa] version of it right now…):

I’m working from a photograph of these reflections, but not tracing: drawing onto paper and then cutting the rubylith out over the drawing, then varying wildly from the drawn lines with the goal of getting the feeling of the light from the windows reflected on the water… The improvisation & amorphousness that it’s necessary to embody in my lines, at the same time as I mark the precision and specificity of the reflected light, is a very strange & complicated mental/artistic state to hold myself in… and I keep having to take breaks & look at webcomics. :D

I will have the above print done for the RISD Fall Alumni Art Sale, Saturday October 12th, 2013, on Benefit St. in Providence, 10am-4pm. I’m also working on completing other (old & new) things for that, hopefully it all gets done in time!

Then the Craftland Show work delivery deadline is right after that… so all the ramping up will just continue…

Wednesday October 20th is the first night of the fourth (!) class I’ll be teaching at AS220 on “Knife-cut stencils, rainbow rolls, and other mysteries of the non-digital silkscreen process”.

Color test prints, experimenting with ink transparency and color order, by Corrine Hill, a participant in the class I taught in July:

(more images from past classes)

For this session, we reduced the class size to six, so there will be more time & space for everyone. The awesome artist/activist/engineer Jen Hall will be the T.A. This is gonna be great! Four classes (+ an extra work night as well) for $160, sign up here!

All during this time I’ll be getting ready for a solo show in November at the University of Rhode Island Main Gallery in Kingston, RI. I’m hopefully going to display all (“all”?! well, maybe) the prints & posters I’ve made since 2001. We’ve been jokingly saying it’s “a retrospective” but that is actually what it is so I guess I should quit jokin around! I was pulling out the contents of the my archive/portfolio flatfile drawers to show to Ron Hutt, the URI gallery curator, and I got slightly overwhelmed thinking “oh crap, this is like my ‘life’s work’ right here”. Geez! Deep thoughts! You better come see the show! The opening will be Thursday November 7th, 4:30-7:30pm; the show runs through November 29th.

I’m also super excited to be working on a short video with Tara Cavanaugh that will go in the gallery along with the print work, most likely showing some of my process, shots of my visually-overwhelming studio, me talking about how & why I do all this stuff, me walking romantically among some empty industrial buildings, my roommates making faces in the background, Buio-cat, etc etc etc.

(possibly similar subject matter but much better than this “action shot”:)

Okay, that’s all the near-future stuff. Further out / further away: if you find yourself in Abu Dhabi, some of my art will be in Maya Allison‘s apartment/gallery show “Providence — True Love Always” there, beginning on October 25th; in Providence, look out for some kind of holiday sale type thing in December; in February I’ll be lurking around New York City to help out my lil brother & his partner after they pop a babs (!), and maybe I’ll be making some kitchen-window drawings or something; at the end of March & maybe early April I’ll be in California cause I will have a piece in the “Queer Communities in Print” portfolio that Corrine Teed is organizing to be part of the SGC International Printmaking Conference in San Francisco; annnnd…. that’s it? for now? see you soon? what is this thing called life?

traveling — locally

July 17, 2013 at 4:21 pm

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While sitting outside on the bridge and working on the drawing for the Manchester St. Power Station image (actual print on paper on slight pause right now, totebags are in production and I think I’ll be seeing them soon?) I became aware that every day I was drawing outside I would come home and say “drawing outside! it’s the best! I love it! I feel great!” etc.

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So, when making a big to-do list / plan with Emmy a couple of weeks ago, I made sure to put “sunny days: go draw outside” on the list. Gotta put it on the list if you wanna get to do it! And too many summers have gone by when I’ve had a strong intention to sit outside & draw, that has never turned into actually taking the time to do that…

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After getting the tote bag design done (which ended up being a lot of adobe illustrator work on minute adjustments to vector points, driving me totally crazy) I was like “get me outside now” and started doing a bunch of bike riding & exploration & looking for cool stuff & sitting down & drawing it. Also taking pictures of buildings, hand-painted or otherwise interesting signs, and other things…

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Basically I feel like I am “traveling” in my own city. Not “traveling” like “on vacation”, but “traveling” as in letting your open-eyed-ness become acute, seeing things for the first time as you do when you are in a new place… being an alert observer of what is around you, looking for the patterns and noticing the ordinary. It’s pretty great to be able to open my eyes really intentionally to the place where I have lived for 14 years.

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Also I’m pushing myself to explore further & go places I haven’t been before, see things that I have never seen, that are hiding just around the corner from me in Cumberland or East Prov or Cranston or West Warwick… Bike is obviously the best vehicle for this kind of exploration…

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So there are no drawings in this post cause I haven’t scanned them yet! and partially because they are a little ‘fragile’, not physically but in my understanding of them, they’re still practice / process, not ‘product’ yet… which they maybe never have to be? or maybe what makes them interesting is because they are a record of the discovery that is taking place while they are being made… ? But I’ll put some scans up soon, promise…

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These photos are all from one day exploring in Providence, Pawtucket, Central Falls, Cumberland, and Lincoln, with the always awesome Meg Turner, who also loves bike riding and exploring, who can be recognized by her catchphrase re. abandoned buildings: “There’s always a way to get inside”. I didn’t finish my drawing yet… have to go back to the building & look at the light again…. !

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some linkssss:

Valley Falls Company (site of the first photograph). Also, the Blackstone River Valley is where all these photos are from & it’s beautiful!

Meg’s print of the Pawtucket/CF train station

The Club Juventude Lusitana in Cumberland…

Festa de São João


okay finally I got someone to take a picture of me next to this graffiti on North Main St (photo by Meg). I still have serious ambivalence about my representation in photos, so it goes… but I guess I can put this out in the world… !

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irreplaceability

June 18, 2013 at 6:32 pm

As hinted at earlier, I have been working on drawing the Manchester St. Power Station, for a commission design but also for my own purposes. Though I’ve occasionally turned to camera/computer as photo-reference to keep the work moving along, since it’s been raining a bunch this week, mostly I’ve been drawing outside, “from the real”.

stormy building

[n.b. most of this update was written in late May, please forgive the slightly fictional historicity…]

To get the view that I decided is best (I will write more about this in a further post on this project) this means sitting on the Point Street Bridge, on the walkway part but about three feet from the guardrail & the vehicular traffic. This is a very loud experience (I keep forgetting earplugs) and also vibration-y, as I’m pretty sure that bridge was not made for the scale of trucks that pass over it.

providence poses for its portrait

Today it was also a very windy experience; a thunderstorm was projected, I kept expecting a giant bucket of rain to dump down on my head (as it did earlier this week: I attempted to shelter for a bit under one of the bridge trusses, during which attempt I took the photo at the top of this post), and there was a consistent & very gusty strong wind from the southwest. I was using a complicated paper ruler to get a specific kind of simulated-perspectival-regression thing to happen — when you’re setting up that kind of a scenario, you do it trial-and-error-style: “does this look right? does that look right? okay, draw the line, make the marks, good”. Then that little piece of paper with a family of marks and lines on it is your reference document for creating semi-realistic perspective on any line in the building that is parallel to that line. (does that make sense? I’ll write more about this technique at some point.)

buiding & drawing

And I guess that that is the downside of the paper ruler? Because if you have a windy day, and you are sitting next to a busy road on a bridge over a river, and your drawing is taped down to a piece of masonite board, and to keep the little paper rulers from blowing away you are sticking them between the drawing and the board, and if the wind then blows a bunch of grit & sand off the road surface right at you/your drawing and between the paper and the board, and to get rid of the grit so it won’t make bumps under the pencil lines you stick your hand between the paper and the board and try to brush the sand away….

…. well, then what happens is that you watch your dumb little scraps of paper, that you just spent an hour utilizing to make all these crucial precise finicky decisions, blow away across a roadway of speeding cars and in the inevitable direction of a grody body of water. My initial reaction was “Oh crap!”, my secondary reaction was “Ah, you know, whatever, it’s just paper, I already used them to note the perspective lines I needed”, my third reaction was “Oh wait I still need those to make some more perspective decisions for the rest of the drawing…” and my fourth reaction was a deep sinking feeling of loss, destruction, regret, stupidity, and sorrow, an emptiness in the gut, a disaster I had just made happen. All in the course of 30 seconds.

I did jump up, making sure to carefully set my drawing on its board flat on the concrete walkway, but the paper rulers were already blowing down the middle of the roadway — and the Point St. bridge traffic is not to be trifled with at rush hour (or any time, really — it’s one of the worst biking passages in Providence, I think…). Somewhat ironically, the real reason I didn’t run after them immediately is that my new (to me) computer was in my backpack which was sitting next to me on the bridge walkway… I couldn’t quickly pick up backpack & drawing at the same time, couldn’t really run with them, and I couldn’t figure out whether to leave the computer, the drawing, or my bike totally vulnerable to anybody who might be walking past while I ran on a risky mission after the rulers. Bike: crucial to my life, irreplaceable; computer: new & valuable money-wise & also work-wise; drawing after 3 or 4 days of working on it: completely irreplaceable and also now extremely valuable in terms of time spent on the commission & when I needed to get it done by, and also just as a beautiful object that I was attached to………

grubby & stained drawing
[click on this image for a higher-resolution view, so you can contemplate just how dirty this drawing is]

So I let the paper rulers blow away. They weren’t even in the river yet, but they were already gone. This was a weird decision, for me. I hate losing things, I think about everything I’ve lost for a long time, the memory of them keeps coming back to me with regret & sadness. But it was a passable day for drawing, & I needed to get drawing done, and I sat back down & kept drawing. Lines! You can re-draw lines… But I kept being washed over by a wave of the regret and loss feeling, the lack of physical existence of the objects that I had such a clear physical memory of holding in my hands, folding, drawing on, using as tools, with their smeared graphite dirtyness and their intense reality that had just become unreality, or at least a reality that I could no longer reach in the same way…

About ten years ago, I asked a teacher and friend of mine, Peter Stempel, an architect and designer, why he had stopped making pencil drawings and started making his architectural drawings on the computer — in the early 2000s, he had just recently given up resisting the universal switchover to CAD. I asked: was it taking you too long to make the pencil drawings? No, he said, he was really happy about everything about his drawing process — except the uniqueness and fragility of the paper documents: when he took those drawings to the duplicator, if they got caught in the machine or torn or some other freak accident happened on the way there, that was the only copy he had and all the information he had worked so long to develop and note down could be lost. The possibility of this loss — in a profession where no one else was risking it — was too grave to entrust his work to that process any longer……

some details

Drawing as object // drawing as information. That is the dual nature that makes paper drawings so resonant: they embody both at the same time. In a computer era, the printout exists and has a bunch of uses, sure, but that paper is already garbage the moment it comes out of the printer — the important information is in the file, the vector coordinates, a series of numbers…

In a paper drawing, the paper holds the information but is also where the information came to become itself, where the decisions were made, where useless or inaccurate or simply un-beautiful lines were decided against and erased, turned from marks into indentations, ghosts or echoes… The drawing object is four-dimensional, resonant of its past as well as its bumpy, grubby, warped, gritty, folded departures from the plane… it tells of all the things that have happened to it, and of the future potential for its own non-existence. The person holding the drawing in their hot little hands has also had a lot of things happen to them, so maybe they understand how the drawing feels? but unlike the drawing, their own non-existence is not a future potential but instead a future certainty… whereas— unlike both— the vectors will last forever…

So anyways… philosophy aside: now that I’m done the commission (more process notes later) and have turned in the vector files I made based on the drawing to be sent to a company which will print them on tote bags (!!), my conclusion about vector graphics is that using the tablet & stylus to drag little “nods” around hurts my hands a bunch and puts me seriously at risk of repetitive stress injury… in a way that cutting rubylith and drawing never has… BUT… in this modern world, there’s nothing like being able to instantaneously send someone a vector file which they can reproduce at any scale and at any resolution. I just have to not work on those files for too long at a stretch…. AND there’s no question that drawing is way more beautiful. DRAWING!!!

And, on the practical aspect, I did also find a solution to my specific windy-day, drawing-on-a-bridge problem. The *new* informational scrap of paper is attached by a length of blue masking tape to a rubber band around my wrist… awkward but secure?

solution


Hey remember this cool print I worked on last year with Noel Puello? Noel and friends (& fellow NUA alums) Carmela Wilkins and Sara Tolbert are working on another one this summer! Once again, for college fund-raising.

carmela sara noel

Here we are drinking coffee & tea & strategizing (with their sketch and color-test-sheet) around my kitchen table… I’ve seen some photos of their printing process that were stunning… I met with them today to do a quick html/css/ftp tutorial… and now they’re working on an updated web presence for it… I’ll keep you posted on the further developments of this project!


different colorway

I promise I’ll write more about both my weird simulated-perspective method, and the rest of the process on the power-station image, very soon!


Also this update is dedicated to Puppy Bonesteel, a cat who passed away this past week. A unique & personable cat, he had beautiful spots & big eyes, he was a good friend to my dad and my brother (who shared in his ownership) and an adventurous animal. He is missed.

windy_ruler_10

final prints from the transparent-colors class, and… another class!

April 27, 2013 at 2:22 am

class1_john_small
[print by John McGarry]

Here are (almost all of) the final prints that people made for the class I taught at AS220 back in February & March! Some folks sent me pictures of themselves with their prints, so I’ve thrown those in too. Check out the awesome work… & there are still spots open in the upcoming session of the class that starts this Monday!

(hmm… something is weird with the color display via wordpress, if you click on the images you’ll see a much more vibrant look at the actual prints. it doesn’t look *too* terrible here, so I’ll troubleshoot it some time that is not tonight!)

soledad

class1_soledad_small
[print by Soledad Soons]

It’s been a while! It feels like I fell off the planet or something, but I’ve actually been up to a bunch of stuff, just in all different directions (at the bottom of this update I noted it all down). Time has sped by, terrifyingly…

class1_ryan_small
[print by Ryan Dean]

photo(5)

class1_jeremy_small
[print by Jeremy Ferris]

If you want to explore advanced silkscreen techniques, refine the knowledge you already have, and improve your precision hand-printing skills, while learning how to use rubylith film and transparent, overlapping colors to create a sharp-looking graphic print (like the ones you see here)… this is the class for you. It’s four Monday nights, 6-10pm, over the course of four weeks (starting this coming Monday, April 29th) plus one extra printing/studio day (day/time t.b.d.), and it costs $150.

class1_loren_small
[this is only the first test version of this print… by Loren Howard]

I wrote more about the class here & here (the date & time info in those blog posts is no longer accurate, but the other details remain pertinent!). In the first session, people found the advanced-printing-techniques aspects of the class really rewarding, so we’ll probably be prioritizing some of that stuff this session. (I will probably also hassle everyone about screen care, cleanup, and general good studio practices!) If you have questions you can get in touch with me, and if you’d like to know more about the AS220 Printshop you can contact Lara Henderson, the Printshop director.

class1_jen_b_small
[print by Jen Booth]

class1_al_small
[print by Al – whose last name I never learned!]

There are spots open cause two people cancelled (today — urgh)! Do it! Here’s the signup link. Let’s hang out Monday nights & get super nerdy about screenprinting.

jen h
[Jen Hall finished her print after the class was done — so I don’t have a copy of it for a close-up… yet!]


Activities between March 7th and April 27th: I finished out the last couple weeks of class, then did a bunch of catching up with friends (after the work-focused months of January & February), and got to finally really hang out with some new friends to whom I had been saying “we should hang out!” for way too long — yes!!

invite

I worked on documenting some of my work from the February show, designed & printed a not-too-sappy wedding invitation for my little brother & his partner, traveled to IDA in Tennessee and walked around the early-springtime ridges & creeks there, stopped in Phila on my way back and walked around liminal zones near my parents’ house, then came home to Providence & did taxes, and wrote something and performed it (in “slide lecture” form, aka “multi-media performance”!) as part of the series of “Queer Salons” that Casey Llewellyn, Ren Evans, and Chana Morgenstern have been putting on here in town.

slides

Also I worked with Beth Brandon on planning the construction of a 15-foot-long fabric printing table, helped Andrew Oesch with the late-nite final stretch of getting ready for his “Characters in the Collection” show at the MFA, and helped Sam Merritt install wordpress for her custom-embroidery website (not yet ready to be looked at, check out SamsWorld360 in the meantime), AND I started getting ready for the Spring RISD Alumni Art Sale (coming May 4th). So there! I didn’t fall off the planet after all. HA.

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