This is the promised “I love drawing part 2″ update: showing the bottom part of the poster, and the drawing of the plants! (hey, it’s a Plant Sale poster: you gotta have plants on it.) These transparencies are all ready now, I’m just waiting for an information double-check before I shoot the screens… so this is a voyage into the recent past.
sneak preview:

Here’s a hard-to-see picture of the first idea I drew: plants are coming out of a pot and climbing up around the letters… okay.

Now, here is a better idea (which is pretty much the original idea I had for the poster in the first place):

The next photo was taken some time later; I missed taking a picture of the intermediate stage when I was beginning the sketches of the plants…

I had vaguely promised myself not to bring any perspective drawing into the process for this poster, but I decided to use perspective after all, and it ended up making things easier and probably faster. There are two different sets of vanishing points here, which lie on the same horizon line — allowing the houses to exist in a coherent space, but not have to be lined up to each other in a right-angled grid. (The white paper attached at the right & left of the drawing above creates ‘wings’ that extend outward as far as they need to go to fit the vanishing points.) To keep things easy & simple, though, I based the vanishing-point locations off of my initial sketch houses, instead of making an “accurate” perspective system and then re-drawing the houses to fit it, as I did for the Farmers’ Markets poster. It ended up being pretty fast and loose. Following in the footsteps of Piranesi! (more-or-less)
I initially intended to use a bunch of drawings of pea plants that I made in 2004 as the basis for this poster. However, I looked for them… and looked for them… and didn’t find them. (The act of looking was productive, though: I ended up cleaning out my whole flat file and organizing all my old transparencies and preliminary artwork!) It being end-of-March/early-April all the pea plants in existence in my area were still in their small round dried wrinkly form, so I used the ever-helpful Internet for (many, many) photo references. This meant that I was inventing an amalgam/generic plant… but I still wanted it to make sense, and be recognizable as a pea plant, and have an internal logic that governed its “growth” and structure.
After I had drawn the bottom of the poster (in the photo above) I had the “pea plant system” pretty much down, and just kept going for it, guided by practice, compositional demands, and mysterious echoes of sense memory that somehow came back to me from when I made all those pea-plant drawings five years ago. At first, I felt that the peas weren’t dense enough, they weren’t as tangled as the plants in some of the photos I was looking at… then as I kept drawing, following each stem to its ‘logical’ extension, they got extremely interwoven, often to the point of my extreme confusion & puzzlement. Which was brain-fusing on occasion, but also pretty great.
Here’s a sequence of the drawing in progress:

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