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late nites work nites

January 15, 2013 at 5:54 am

So nothing is stopping here, really quick here are some various process shots, as I just keep on task in a really kind of wonderful way preparing for this show (opening Feb 2, Saturday, 5-7, AS220, yes I’m mentioning it again!). When I’m really working on things, which I have been & it’s been awesome, I stay up till 4 or 6am and sleep till noon or 2pm, so A) don’t call me before noon unless it’s an emergency or we planned on it beforehand, and B) it’s really great to have a housemate who is also awake all night and practices beautiful/weird bass & piano scales while I mix colors…!

Sometimes the printed color is the same density as the hand-wiped color swatch (L)… sometimes not (R). The far-right test is closer to the ink these were actually printed with:

test swatches & printed test colors

Test prints usually look more dynamic to me than the “real” print (that’s why a bunch of these newsprint test guys will actually be part of the show…):

test printings of geometric letterforms

These are the first two colors on the four colorways (I know, four is too many) of the “Queers!” print:

different colorways of geometric letterforms

One thing that’s unusual for me is because of the deadline, I’m working on six (!) projects at the same time… I usually work on one thing at a time till it’s done. I am really, really bad at working on many things at once. But because of the scheduling, lots of different elements that need to fall into place, and different logistical things, this is how it’s rolling out — and I actually really like it. It means I have to really focus and set aside my evenings & nights pretty dedicatedly to working (and check out my organizational structures at the bottom of this post)! But it’s really rewarding & it’s pretty lovely to be in a color thinking / print thinking / drawing thinking mode a lot — though I switch back into an organizational / logistical mode often, cause it all has to get FINISHED!

Also, all of these projects were begun / conceived of / initiated sometime in the past two years… and are now seeing a final push towards completion for the show. I don’t know if I could be coming up with new ideas or new complex drawings on this kind of deadline and all in the same stretch of time… that might not be possible.

* * * *

This picture was taken as a “visual note” so I can remember how I might want to line up the next layers:

printed script letters with rubylith transparencies over them

Printed on my 5+-year-old plastic alignment sheet, as this gloss varnish dries, it seems to make the worn & scratched alignment sheet look clear & clean… hmm… oooh… gloss varnish… !

gloss varnish, printed on plastic, showing its anti-refractive tendencies

Harnessing the magic of the test prints to make cool unique “real” prints:

cool accidental/intentional color magic

Also I’ve been re-laying-out & adding a second layer to these stickers from this past summer:

screenshot of misalignment test for stickers

They are gonna get Risographed by Walker Mettling of the Providence Comics Consortium, which I am excited about, but the degree of my stress about getting the layout & alignment of the images set up for the RISO machine was totally out of proportion to the importance of whether these are actually well aligned. Walker was like “it’s just like a photocopier!” and I was like “waaaahhh I am scared of processes that I don’t have control over…” HA. hmm. Turning over control to someone else, it’s good!

Looking back at these photos of the earlier Queers prints, to figure out the next colors:

screenshot of looking through different variants of one print

Tonight, testing further colors (WHY CANT I USE ALL THE COLORS) for the Dissonance prints, and using the testing time to think about what order the layers should go in. (Anybody out there got color thoughts? I really kind of do want to use all the colors…)

color testing for script font print

… and… this is how all these things come together over time & in their logistical sequence: pages of basically illegible notes & calendars & details:

lists of scribbled handwriting

Note mediocre drawing at bottom center, of the orange cat sleeping on the mat in the hallway with all his feet tucked under! cat blob!

1 Comment »

  1. […] grainy cellphone camera, the finished colorways of the QUEERS! editions. As seen in progress here and decision-making process discussed here. Finally done, after being promised / procrastinated on […]

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