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infinity of possible choices about letterforms

January 5, 2013 at 9:35 pm

…or really, about anything, for that matter. !!! No time to write much at the moment but here is some process preview for new work I’m doing for the show (opens February 2nd, 5-7, AS220, 115 Empire St. Providence). Lots to do, not a lot of time. My strategy is to do whatever it is I’m procrastinating on the most — ask myself what is the most scary thing, do that first. Ha!

a pile of postcards on manila paper with various handwriting on them

rsvp notecards from 1959-1961, from a curb in new york city to an attic in providence to my hot little hands (thanks Will, collector extraordinaire!)

process shot of desk

desk scenario — I’m referencing years of collecting ephemera & hundreds of pictures I’ve taken of fonts for letterform generation, and mining writings that I was doing (for performances this past fall) for text generation…

hand-drawn font in progress, reads

learning a lot about script fonts; the variation is so broad, anything is possible!

using an architect's adjustable triangle to create shading

architectural drafting strategies; these letterforms are based on the packaging from some fireworks that Jacob had…

letters in overlapping screenprints

print over test print, experimental zone

jars of ink and test color strips, laid out on a desk

transparent color testing for some seriously procrastinated-on re-prints that will be part of this show, and also for some new prints!

okay byeee time to make another sandwich, drink more coffee, & then back to work!

1 Comment »

  1. […] First I made tests swatches of a bunch of different transparent colors that I had in the studio (previous post). Then I looked at the remaining original prints in complete confusion for about an hour or so. I […]

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